Frenic - Mongolia

http://www.djfrenic.com
http://dustedwax.org

Origine du Groupe : U.K
Style : Abstract Hip Hop , Ambient , Abstract Ethnic Electro
Sortie : 2012

(cc) by-nc-nd




 
From http://www.djfrenic.com
Sam Fergusson known to many as Frenic is a fast emerging UK talent garnering an international reputation for producing music which shows his inspiration from many forms of dance and hip hop whilst hinting at deeper musical influence. Frenic first started making beats for hip hop MC’s after becoming inspired by listening to rap heavyweights Wu-Tang Clan, DJ Premier, and Pete Rock. Having bought a pair of turntables began his quest into understanding scratching and turntableism which then lead him to forming a live act called Lost Project. Popular on the U.K hip hop scene, they played many lives sets to great response, even supporting hip hop royalty like The Pharcyde, The Beatnuts, Task Force and Afrika Bambaataa.

In the late 90s Frenic was attracted to the growing Drum n Bass scene and before long he and DJ Dis started playing a DnB raves djing for the famous “One Nation” young dj agency. The pair made it all the way to the Movement Vestax DJ comp finishing, as runners up to the now well known JFB. Frenic also moved to Bristol in search of broadening his musical horizons and meet more like minded people.

Now 16 years on, he has forged a reputation as one of the best party DJs to come out of the U.K, often a regular on the UK festival circuit, and well as his famous annual sets at the F1 Grand Prix and Moto G.P.

His Sets are defined by a deep a eclectic selection of beats, breaks and bass, uniquely blended and fused utilising his turntableist skills he acquired through years of Djing within the UK Hip Hop scene.

In the last few years Frenic has focused on his own music production creating a selection of acclaimed E.Ps. Starting with “The Future Will Be Better Tomorrow” Frenic brought soul, funk and hip hop to the table and the hit single “Alright”. “SoulBass” was Frenics next release bringing his dance music influences to the forefront of his production, incorporating big bass sounds and synths, but still with a nucleus of deep musicality.

The Latest offering, “Lessons From the Past” featuring tracks “New World”, and “Get out of Dodge” Showcase a darker, more cinematic style that has brought widespread interest and international recognition.

With 2012’s diary already filling up and new sounds planned for release, Frenic’s unique musical style and audio soundscape is in line to set the world ablaze far beyond the Bristish shores he hails from.


Tracklist :
01 - Wolf Falcon Deer
02 - Ulan Bator
03 - Eternal Plains
04 - The Tumen Horsemen

Mr. Confuse - Do You Realize Web

http://www.mrconfuse.com
https://www.myspace.com/mrconfuse

Origine du Groupe : Germany
Style : Funk
Sortie : 2012

 

From http://www.mrconfuse.com
On ‘Do You Realize’ Mr. Confuse picks up on the distinctive, organic and powerful sound he introduced on ‘Feel The Fire’ and takes it a step further. ‘Do You Realize’ tells a story from the beginning to the end: ‘We Gonna Bring The Funk To You’ with featured singer and main vocalist Dan Salem allows no second thoughts as a perfect opener and leads into ‘Catch Me’, the first single release. In a total of 13 tracks and with fullon party tunes like ‘Never Let The Rhythm Go’ and ‘Let’s Get The Feeling’ the album keeps a steady pace. The second single releases ‘Too Hot’ and the conscious and soulful ‘Why Can’t You See Me’ carries ‘Do You Realize’ to the perfect ending with the moving soul ballad ‘Cool Smooth Waters’ introducing the mighty soul voice of Mrs Elaine Thomas.

It would not be a true Mr. Confuse album if it would not pay tribute to a musical pioneer. With his versions of ‘Boogie Down (Bronx)’ (with the voice of well know German Reggae artist Benjie) and ‘Man Made’ (featuring Dan Salem) Mr. Confuse pays tribute to Man Parrish as one of the innovators who translated Funk and Boogie into the HipHop-Era of early Electro and Freestyle. ‘Do You Realize’ comes as an apt title then.
Accompanying the album there will be a colourful bunch of remixes released in various formats. Remixes by well known producers such as Smoove, Dr. Rubberfunk, Lack Of Afro, Daytoner, The Uptown Felaz, Tom Eno, Przasnik and Funkmaster Ozone amongst many others show Mr. Confuse’s respect for the remix culture, something which was always a major part in the career of the producer from Hannover/Germany who started DJing in 1999 and is producing and composing his own music since 2004. As a member of the Breakout crew in 2005 Mr. Confuse came up with the idea of reworking the 80s classic ‘Planet Rock’ by Afrika Bambaataa and transforming it into a heavy funk tune. Through the years Mr. Confuse released his music and remixes with many international labels (Good Groove, Dominance, Shiftin’ Gears and many more) and recorded a collection of different MixCDs.

In September 2008 his first solo album ‘Feel The Fire’ was released on DLP, CD and digital download. Mr. Confuse’s live band ‘Mr. Confuse & The Confusers’ was called to existence with a heavy horn section of seven players and true Hammond C3 sound also that year. Appearing as 14 musicians strong collective it is an impressive breaks big band. On ‘Feel The Fire’ are cover versions of Debbie Deb’s Freestyle-Electro-Classics ‘Lookout Weekend’ and ‘When I Hear Music’ in a heavy seventies Funk style. The 12inch version of ‘Lookout Weekend’ sold out quickly, but even three years after its original release the track is still a steady download seller. 2009 saw two more 12 inches following the album with the ‘Do It Right Now’ and the ‘Imóvel’ EPs. Mr. Confuse was also invited to feature on the first release on the 7inch label ‘Freesoul45
Records’ with two massive HipHop instrumental tunes that year. 2009 continued with ‘Feel The Fire – The Remixes’ which is available digitally and includes all remixes of the three 12inch vinyl plus never released before versions.

With ‘Do You Realize” Mr. Confuse is not only expanding his trademark sound but the album also introduces him as a musical director with an open ear for the bigger picture. With up to 23 international musicians he created incredible sounding big arrangements you would rather expect from the good times of big studios from the 60s and 70s. Here is a producer who not only reveals a deep understanding of the rhythms ranging from Afro to Soul and from classic R&B to HipHop, but who also has a vision of translating history into the future. ‘Do You Realize’? Indeed we do!


Tracklist :
01 We Gonna Bring The Funk To You – feat. Dan Salem
02 Catch Me – feat. Dan Salem
03 Big Livin’ – feat. Lady EmZ
04 Boogie Down – feat. Benjie
05 Let’s Get The Feeling – feat. Elaine Thomas
06 Never Let The Rhythm Go – feat. Georgie B.
07 Do You Realize – feat. Marc-Amadeus Figge
08 Man Made – feat. Dan Salem
09 I Know Your Love Is True – feat. Dan Salem
10 Hold On – feat. Dan Salem
11 Why Can’t You See Me – feat. Elaine Thomas
12 Too Hot – feat. Elaine Thomas and Dan Salem
13 Cool Smooth Waters – feat. Elaine Thomas 

Kenmochi Hidefumi - Shakespeare

http://www.h-kenmochi.com

Origine du Groupe : Japan
Style : Abstract Electro , Electro Jazz , Instrumental
Sortie : 2010

 

From http://www.amazon.co.jp
Melodies and danceable beats inspirational. Instrumental want you to hear this wonderful jazzy sound now that overflows into the streets. Two years from the "Falliccia" was released previous post club music that develops creative to absorb various genres House, Jazz, etc. Rock!! From Hydeout Productions. The long-awaited 2nd album to announce the long-awaited!


Tracklist :
01. Agharta
02. Vermillion Sky
03. Sakura Mentos
04. Ring / Spiral
05. Sputnik
06. Stoner Sunshine
07. Nasca
08. Leopardo
09. Maglev
10. Murugi
11. Filament

Wax Poetic - On A Ride

http://waxpoetic.net
https://www.myspace.com/waxpoetic

Origine du Groupe : North America
Style : Indie , Trip Hop
Sortie : 2012

From http://www.fipradio.fr
Cinq ans après "Brasil" le collectif new-yorkais Wax Poetic, toujours dirigé par le saxophoniste et claviériste Ilhan Ersahin, revient avec un sixième album "On a ride" dans les bacs le 10 septembre.

Un retour et une nouvelle direction pour ce groupe qui a commencé par la drum and bass et le trip hop toujours teinté de jazz. "On a ride" est un retour à une formule plus concise avec le même groupe de musiciens officiant sur l’album : le guitariste Zeke Zima, le bassiste Jesse Murphy et le batteur Jojo Mayer. La musique se fait ici plus pop, les mélodies et les 10 ballades de l'album sont dans la pure veine de l'Americana. Wax Poetic, dès ses balbutiements en 1997, a été le projet vocal du compositeur Ersahin avec des artistes comme Norah Jones à ses débuts, Saul Williams, U-Roy, N’Dea Davenport ou Bebel Gilberto. Ici Norah Jones pose sa voix sur un titre "Fall away" tandis que Sissy Clemens, Gabriel Gordon, Natalie Walker et Jovanotti chantent sur les autres titres de cet album surprenant et enchanteur.


Tracklist :
01 No escape      
02 Good & evil      
03 Tonight    
04 Fall away     
05 Beautiful       
06 East side    
07 Times moves on    
08 Warm night    
09 Solitude      
10 On a ride

theTRIF - Pneumotrifator

http://www.digitalkunstrasen.net

Origine du Groupe : Germany
Style : Funk Jazz
Sortie : 2012

 

From http://www.digitalkunstrasen.net
Digital synthetic turf is well known for diversity of style and diverse artists, and so there are and have always wanted it to discover the times. The Trif fit exactly into the scheme because, since the experimental jazz of the trio is not only special but also done particularly well. Here is a little spark, since Piese blues and rock to a shock - everything zeitgenässischen based Jazzes and an outstanding instrument mastery. Achim schif, Marvin Blamberg and Johannes Fog understand not only the elaboration of songs, but also the jamming and improvising, and exactly in the path created, the present Parliament. And who has the Jazz not biosher range ansich leave it, which is definitely here to take a step in his direction.)


Tracklist :
01. Extratrifvore
02. Pneumotrifator
03. Trifious
04. Intratrifmorphic
05. Macrotrifship
06. Trifphyte

Cyesm - Half Of A X​-​ing

http://www.gcfactory.org/cyesm
http://www.facebook.com/Cyesm.music

Origine du Groupe : France
Style : Abstract Electro , Ambient , Abstract Hip Hop
Sortie : 2012

 

 

 

 

From http://cyesm.bandcamp.com
Cyesm creates and programs music since 1998. His music crosses the paths of both acoustic and electronic materials. He performs within different styles of Music and makes them merge in what could be referred to as "Contemporary Electronic Symphony"

Cyesm also composes for movies and advertisement, as producer and sound engineer.

"Cyesm wants to make something ambitious, bigger than life itself."


Tracklist :
1.Half of a x-ing (overture) 02:18
2.The perfect track 03:42
3.About the MOON organization 03:37
4.Cholocate Heart (Feat. Robust) 03:06
5.The chase on The Lodge 02:23
6.Tension on a break 03:07
7.Sy. theme I 01:01
8.Meet me at the pub 03:30
9.No taste 01:13
10.Sidewalk 02:05
11.Gone is a state (Sy. theme II) 02:00
12.About to turn 01:44
13.Surrender 03:38
14.Follow the driver 01:45
15.Where the wood... 03:33
16.That race is done 03:22    
17.HOAX (end titles) 04:27

Jaribu Afrobeat Arkestra - Mediacracy

https://www.myspace.com/jaribubeat
http://soundcloud.com/jaribu-afrobeat-arkestra

Origine du Groupe : Japan
Style : Afrobeat
Sortie : 2012

 

From http://monkeyboxing.com
Japan’s hard-gigging Jaribu Afrobeat Arkestra (not to be confused with Leeds, UK-based Ariya Afrobeat Arkestra) have got a new album out and it’s called Mediacracy. It’s a slightly unfortunate name because with a Yank accent that could end up sounding like ‘mediocrity’ rather than a neologism presumably intended to be a comment on our media-obsessed culture. And that’s unfortunate because those in the know (and among them I include funk connoisseur Tobias Kirmayer of Tramp Records on whose label this is being released) rate JAA’s second LP of eleven tracks rather highly. Check them in action on the video to the title track (below) as the band all seemed to be having a whale of a time – particularly the young lady and her maracas at the front. Yes I did just say that. And you have to agree, it’s not often you get news of an epic double-Afrobeat LP and a lame double entendre in the same post. Don’t worry – it’ll all make sense when you see the forthcoming movie tie-in Carry On Fela.


Tracklist :
1. Mediacracy (9:04)
2. Suffer Dey (4:47)
3. Legend Of Yoruba (6:53)
4. Mvua Dance (0:58)
5. Afro Soul Knows (7:54)
6. Tricky Liars Pt.1 (6:24)
7. Tricky Liars Pt.2 (4:47)
8. Maneno Ya Roho (0:56)
9. N.N.G. Pt.1 (7:45)
10. N.N.G. Pt.2 (5:35)
11. Natural Vibes (4:41)

Joe Kickass - Mind Joe

http://www.joekickass.nl
https://www.myspace.com/franchiserecord

Origine du Groupe : Nederlands
Style : Hip Hop
Sortie : 2010

 

From http://www.hhv.de
… and then suddenly there was Joe Kickass. Seemingly out of the blue but with careful planning he dropped his well received ‘Let Me Introduce EP’ earlier this year on Project: Mooncircle.

His track with Morlockk Dilemma called ‘Real Emcee’s’ of the ‘Zeitgeist EP’ featuring a.o. Lewis Parker, Obba Supa and John Robinson added some more heads to his rapidly expanding fan base.

Now, Joe is back to bring you his first full length album entitled ‘Mind Joe’. It’s a diverse soul, jazz and oldskool infused ride, laced with witty and gritty vocals and wrapped in a sick
cover design sporting Joe’s own illustrations. Besides getting Portformat, Arts The Beatdoctor of The Q4 and of course Killing Skills on board, Joe again composed the majority of the beats himself proving himself as versatile as some kind of walking computer car that has yet to be invented.

This 12 track album selection brings your beloved hiphop back to life with it’s raw but musically underpinned sound and lets you dive in Joe’s mind as well as making you mind Joe for a long time
to come.


Tracklist :
1. Afterhours – 01:13
2. Akula – 02:18
3. Bare Flesh – 02:53
4. Birdman – 02:32
5. Black Coffee – 02:52
6. Choking On A Piece Of Joe – 03:04
7. Gimme A Break – 02:37
8. Gratitude feat. Arts The Beatdoctor Of The Q4 – 05:07
9. Leave It Up To You – 03:48
10. More or Less – 03:08
11. No Saints Asked feat. Auke Sprangers – 02:37
12. Rawness – 03:11
13. Shirlyn – 03:13
14. The True Captain – 03:05
15. Unga Bunga feat. Portformat – 02:29
16. What Is Music? – 02:45
17. X Marks The Spot – 02:17

Hecq - Avenger

http://www.hecq.de

Origine du Groupe : Germany
Style : Electronic , Broken Beat , Dubstep
Sortie : 2011

By Tehanor    From http://www.dmute.net
C'est toujours avec un plaisir certain que je découvre les créations de Hecq. Le producteur allemand s'est forgé au fil des années une maîtrise du son incroyable. Au départ, Hecq s'est surtout distingué, au milieu d'une scène IDM en pleine effervescence, par ses compositions symphoniques. Ses albums ressemblaient de moins en moins à de l'IDM, et de plus en plus à la bande son de films imaginaires. C'est bien simple : Hecq n'avait pas son pareil pour créer ces formes d'orchestre synthétiques. Mais cette musique contemplative, aussi agréable soit-elle à écouter au casque, n'a pas sa place dans les clubs. Ben Lukas Boysen l'a bien compris. Lorsqu'il se produit en live, il troque ces compos contre un dubstep fait maison. Cela lui a-t-il donné envie de changer le fusil d'épaule ? Il est probable que le producteur ait en tout cas eu un déclic.

Sur son précédent opus Steeltongued pouvait-on déjà remarquer des titres plus énervés qu'à l'accoutumée, ce qui tranchait nettement avec le classieux Night Falls. Puis il y a eu ces remixes pour Broken Note (Terminal Static), Niveau Zero (Evil League), Millipede (All My Best Intentions). Des titres dubstep, ancrant pour de bon le pied que Boysen avait posé sur la scène. Il y a aussi eu le single Sura en juin dernier. Autant d'indices qui laissaient présager ce qui nous pendait au nez pour le prochain Hecq : un album dubstep.

Alors même si Hecq s'y met, il n'y a aucune raison de craindre le pire. Car l'expérience qu'il a gagnée au grès des albums (et en tant que sound designer) lui permet de proposer un dubstep qui surclasse les autres. Les cinq artistes invités à remixer les titres d'Avenger y laissent d'ailleurs quelques plumes, ne parvenant pas à transcender les versions originales. Il ne faut pas leur en vouloir. Il n'y a, à ma connaissance, qu'un seul producteur capable de tailler le son avec autant de doigté que Hecq : Amon Tobin. Avenger me fait d'ailleurs beaucoup penser à Goto 10, sur ISAM. On retrouve les mêmes sonorités ahurissantes : rugissements, grondements, rotations d'hélices, déchirements métalliques. Le tout agencé pour former une rythmique breakée. Quelques chœurs tentent de percer malgré tout ce fracas électronique : de bien timides réminiscences des anciens travaux.

Hecq a radicalement changé. Résigné, semble-t-il, à quitter la grâce céleste pour plonger corps et âme dans la moiteur des clubs. Et même si je ne désespère pas de le voir un jour nous offrir encore quelques perles symphoniques, je suis bien obligé d'admettre que son nouveau costume d'avenger lui sied à merveille. Mes oreilles en tremblent encore.


Tracklist :
01 Bete Noire (5:10)
02 Elliott Calls (Interim) (0:20)
03 With Angels (5:00)
04 Pulverized (4:35)
05 Bane (5:59)
06 Shutter (5:22)
07 Lynn And Nicolas Call (Interim) (0:41)
08 Nihilum (5:12)
09 Suture (With Matta) (4:12)
10 Reprise (2:41)
11 Bane (Septic Insurgent Remix) (6:52)
12 With Angels (Trifonic Remix) (4:03)
13 Bane (Architect Remix) (7:01)
14 Nihilum (Anxst Remix) (5:00)
15 Bête Noire (Deadfader Remix) (4:49)

Fedayi Pacha - From The Oriental School Of Dub

http://fedayipacha.net
https://www.myspace.com/fedayipacha

Origine du Groupe : France
Style : Electro Dub
Sortie : 2009

From http://www.nizetch.fr
Petite session de rattrapage avec la chronique d'un disque qui vaut sincèrement le détour, le troisième album de Fedayi Pacha – From The Oriental School Of Dub sorti fin mai chez Hammerbass.

Fedayi Pacha est loin d'être un inconnu des amateurs de métissages sonores gravitant autour du mot dub. Petit tour d'horizon de l'artiste et sa discographie pour les néophytes : Denis Sefani de son vrai nom est un compositeur multi-instrumentiste originaire de Saint Etienne, initiateur avec le groupe Brain Damage du sound system Another Sound System Experience et du mythique collectif Bangarang (compilations Combat Dub I&II…). Il officie tel un artisan avec ses instruments et machines au sein de son home-studio depuis 2003 et en live sous le nom de Fedayi Pacha.
S'il s'est illustré sur une bonne poignée de compilations dont Combat Dub II et I Dub You, on retient surtout une première galette - Dub Works (In Mysterious Waves) pleine de promesses et une énorme claque administrée il y a deux ans avec l'audacieux The 99 Names Of Dub ainsi que Hayduk Bay superbe titre sorti sur la compilation New Dub Excursion.

Les sonorités d'orient sont intervenues très tôt dans la vie de Denis aka Fedayi Pacha, depuis l'écoute de musique arménienne depuis son enfance, ses connaissances musicales se sont enrichies par des voyages en Europe de l'est et au Maghreb. Une passion plus que jamais présente dans ses compositions où instruments traditionnels du moyen-orient tels que Santoor, Kemanche, Derbuka et d'inde – Kanjira, Sitar… viennent côtoyer une autre culture, plus urbaine faite de boucles électroniques, samples, basses digitales, mégaphones et effets analogiques.

C'est toujours sous la bannière Hammerbass que Fedayi Pacha nous est revenu dans les bacs au printemps dernier (eh oui déjà…) pour dévoiler ses 11 derniers joyaux avec From The Oriental School Of Dub, opus aussi abouti musicalement que le précédant mais volontairement plus ouvert et accessible. Oui car lorsque Fedayi fait de la world music c'est avec raffinement et intelligence, dans un profond respect des cultures d'orient abordées au sein de sa musique.
11 peintures sonores pour nous faire décoller de l'Inde avec Autorickshaw Chase, où percus et samples vocaux bondissants évoquent dans un élan cinématographique la poursuite effrénée dans les rues de Bombay de ces célèbres voitures à trois roues… Aux mystérieuses pyramides de Bosnie-Herzégovine avec le somptueux Pyramids (the sun) contées dans un spoken-word fantomatique par Alexander Hacke. Des chaînes montagneuses du caucase Caucasian Blues aux destinations oniriques de Republic Of Dubistan le temps d'une transition. Une introduction au culte oriental - de la répétition conduisant à la transe - avec The Eastern Cult Of Dub aux cruels destins de kosovars The uçk (took my baby away), autant de récits et de scènes du quotidien oriental dans une odyssée sonore de haute volée, propice à chaque instant à la libération de notre imaginaire.
On ne peut s’empêcher de penser au fil de l’écoute au génial Muslimgauze dont Fedayi Pacha ne cache pas s'inspirer largement mais aussi à Bally Sagoo, The Rootsman ou Bill Laswell, partageant cette notion du dub en tant que technique disposée à une multitude d'expérimentations sonores et non en tant que style musical à part entière.
Si les compos sont réalisées par Fedayi Pacha, il s’est entouré de talentueux instrumentistes et vocalistes pour enrichir la palette sonore de chaque titre. Outre Raphaël Talis de Brain Damage participant à la basse et au Guembri et Manu Chehab aux instruments à cordes traditionnels (Oud, Saz, Tar, Santoor...) il est également temps de saluer un grand artiste agissant dans l'ombre : Kobé Favelas, autant investit en tant qu'instrumentiste (au Sitar, Theremin, Derbuka...) que technicien dans la réalisation du splendide mastering de l’album.

Vous êtes passé à côté de ce disque cet été, il est grand temps de vous rattraper cet automne car From The Oriental School Of Dub n'est pas seulement un très bon album dub, bien loin de tous les clichés des métissages musicaux electrorientaux il est l'œuvre d'un compositeur visionnaire passé maître dans le domaine, un excellent album de musique en somme.


Tracklist :
1. Autorickshaw chase
2. Stand on Zanzibar
3. Pyramids (the sun) featuring Alexander Hacke
4. 9 in 1 mantra box
5. Eastern cul of dub
6. Casbah cats fight
7. Caucasian blues
8. Aman, Aman !
9. Republic of dubistan
10. The uçk (took my baby away)
11. Pyramids (the moon) featuring Alexander Hacke

Bettye Lavette - Thankful N' Thoughtful

http://www.bettyelavette.com

Origine du Groupe : North America
Style : Blues Rock , Rythm & Blues
Sortie : 2012

From http://www.bettyelavette.com
“Ms. LaVette now rivals Aretha Franklin as her generation’s most vital soul singer. She uses every scrape, shout and break in her raspy voice, with a predator’s sense of timing, to seize the drama of a song.” - New York Times

Bettye LaVette celebrates her 50th anniversary in the music business (note: can someone check this - there must be some mistake!) with the release of her new album, "Thankful N' Thoughtful", on ANTI- Records - as well as the publication of her long-time-coming book, variously described as 'engrosing', 'riviting', 'hair-raising' and only suitable for over 18s - the tell-it-like-it-is autobiography: "A Woman Like Me", co-written with David Ritz, the highly-regarded author of books on R&B legends such as Ray Charles, Smokey Robinson, Aretha Franklin and Marvin Gaye.


Tracklist :
01 – Everything Is Broken
02 – I’m Not The One
03 – Dirty Old Town
04 – The More I Search (The More I Die)
05 – I’m Tired
06 – Crazy
07 – Yesterday Is Here
08 – Thankful N’ Thoughtful
09 – Fair Enough
10 – Time Will Do The Talking
11 – Everybody Knows This Is Nowhere
12 – Dirty Old Town (slow version)

Roma Amor - Occhi Neri

https://www.myspace.com/romamorensemble

Origine du Groupe : Italia
Style : Folk , Jazz World
Sortie : 2012

From http://www.oldeuropacafe.com
Somewhere between the melodic folk-inflected charm of Italian 60’s songwriters and the cabaret swoon of French chansonniers, Roma Amor’s new album is instinctively romantic and sophisticated. This album will seduce you with its summer-evening mellowness before breaking your heart with its beautifully sensual croon.
Wonderful ballads and torch songs about love inspired by the epic, fatalistic rugged grandeur of Aznavour, Brel, Piaf, and 60’s Italian songwriters, though in a much quieter and more delicate setting.
The album is sung in Italian with some French touches and the songs are from Roma Amor’s own harvest.
The result isn't experimental or innovative, but an acoustic and intimate album for fans of well-crafted singer-songwriting.


Tracklist :
1. Occhi Neri
2. Mon Amour
3. Le Coeur Au Chaud
4. A Te Che Mi Vinci
5. Disertore
6. Euforia
7. La Concièrge
8. Mélancolie
9. Elle Est Seule
10. Sensualità
11. Fuoco Sottile
12. Madrigale

Kenny Knots, Speng Bond, Part2Style - Tann Up Solid EP

http://www.jahtari.org

Origine du Groupe : Germany , U.K , Denmark , Japan
Style : Reggae , Ragga Dancehall
Sortie : 2012

From http://www.jahtari.org
The Maffi helicopter finally takes off again for it's next mission, this time with a Rub-A-Dub specialist
team on board who are about to infiltrate unsuspecting dancefloors worldwide. Sensi expert Kenny
Knots parachutes out first with a boom tune called "Herb From Grow" in his backpack, while special
agent Speng Bond - with the license fi toast - is keeping up the vibes in the flying command center
with "Tann Up Solid". The Ninja MC team Rub-A-Dub Market, who usually run tings and sound system
special ops code- named "Part2Style" down in Tokyo / Japan, are at the controls of the B-side with
their track "Fever".

Inside the suitcase on the backseat is the "Robotron Riddim", the dub version of Ranking Levy's
"Mad Man Syle" (from "Jahtarian Dubbers Vol. 3"). Three murdah Rub-A-Dub cuts on some rare,
early Maffi riddims plus one Dub - for your ears only! All produced and dubbed up by disrupt in the
Jahtari bunker, with a bomb of a cover from the Superhero team Ellen G. / MyLord, who also did the
masterpiece sleeve for Mr. Willamz' "Dancehall Hobby EP".


Tracklist :
01 - Kenny Knots - Herb From Grow
02 - Speng Bond - Tann Up Solid
03 - Rub-A-Dub Market (Part2Style) - Fever
04 - Maffi - Robotron Riddim