Arts the Beatdoctor - Lost Track of Time Unreleased 2002-2012 (2013) [Abstract Hip Hop]

http://www.artsthebeatdoctor.com

Country : Netherlands
Genre : Abstract Hip Hop
Style :  Broken Beat , Instrumental , Future Jazz , Abstract Electro

Label : Auto Prod

 

 

 

 

Tracklist :

01. All We Are
02. These Pieces Fit
03. Between The Lines
04. All This Time
05. Looking For Clues
06. Hiding (Arts The Beatdoctor remix)
07. Midnight Oil
08. Push On
09. Part Of The Crow
10. Cellar Door
11. Backward Interlude
12. Quiet Chords
13. Highway Hypnosis
14. Hikari
15. Googolplex
16. Black Coffee (Arts The Beatdoctor remix)
17. Forever Repeating
18. Rewrite It
19. Early Light
20. Hard To Find
21. How It Ends
22. Snow
23. Hide (Arts The Beatdoctor remix)
24. Solitaire
25. Cloud Nine
26. Body Double
27. Bird’s Eye
28. Complete
29. All We Are (Yppah remix)
30. Complete (Xploding Plastix remix)

Innerzone Orchestra - Programmed (1999) [Alternative , Electronic]

http://planet-e.net
https://en.wikipedia.org/wiki/Programmed

Origine du Groupe : North America , Europe
Style : Alternative ,  Hip Hop, Future Jazz, Contemporary Jazz, Experimental, Neo Soul , Electronic

 

 

 

 

 

 

 

 

Tracklist :
1. Wrong Number
2. Manufactured Memories
3. The Beginning Of The End
4. Programmed
5. Eruption
6. Monsters
7. Blakula
8. People Make The World Go 'round
9. Architecture
10. Basic Math
11. Timing
12. Galaxy
13. At Les
14. Bug In The Bass Bin

Kakao - Always

http://picpack.org.ua

http://www.discogs.com





Origine du Groupe : Latvia

Style : Experimental , Downtempo, Future Jazz, Nu Jazz

Sortie : 2009

Creative Commons
license

From http://archive.org

Musical and poetic duet "Cocoa" with her debut album "always" -
a real gem in the contemporary Russian music. Strange little things (and
otherwise it will not be called), collected in the album are
connection fantastically beautiful poems and constant unexpected game
sounds interwoven into mischievous, intricate melodies, reminiscent of the
childhood dreams, calm unconcern, a good kind of absurd and positive
experiment.

Participants electronic duo "Cocoa" is not accidental conceal his musical
origin. Being created as an experiment, a musical outlet,
entertainment for friends, "Cocoa" - an attempt to make light and beautiful
pop music, not burdened roaring guitars and hard drums. Perhaps the
this is how they are born of the coolest projects: free from the obligations
just for love.
Like many electronic bands, "Cocoa" is betting on female vocals
and rich musical erudition of both authors. Completes the picture good
sound engineering.
First you hear the sweet, rich tone of voice, she sings-weave
amazingly beautiful and whimsical lyrics, Burlesque. Then sings along
light and in a good hit melodies. And then start and pereslushivat
colorful beads to sort songs one by one, noting with surprise that
"Cocoa" in one track can coexist songs of whales and cats
industrial noise and sounds of the city - and all this wealth so unobtrusively
singing fills the space that is monitored only at the level of nuance.

For bright airy layers of sounds, images and associations generated
open and fluid imagination of the author, is a mature professional
work done not only elegant and tasteful, but absolutely original and
100% in the spirit of the times!


Tracklist :
01.always(4:45)
02 -Po(4:50)
03 -origami(4:59)
04 -kit(3:54)
05 -paraplan(4:32)
06 -Sumac(1:11)
07 -kloun(3:45)
08 -minuty(4:11)
09 -zheleznodorozhnik(4:02)
10 -ka4eli (4:50)
11 -dura(4:21)
12 -napopopolam(3:57)
13 -vals(2:28)
14 -eng(4:35)
15 -lullaby(4:49)

 

Kakao - Always

http://picpack.org.ua

http://www.discogs.com





Origine du Groupe : Latvia

Style : Experimental , Downtempo, Future Jazz, Nu Jazz

Sortie : 2009

Creative Commons
license

From http://archive.org

Musical and poetic duet "Cocoa" with her debut album "always" -
a real gem in the contemporary Russian music. Strange little things (and
otherwise it will not be called), collected in the album are
connection fantastically beautiful poems and constant unexpected game
sounds interwoven into mischievous, intricate melodies, reminiscent of the
childhood dreams, calm unconcern, a good kind of absurd and positive
experiment.

Participants electronic duo "Cocoa" is not accidental conceal his musical
origin. Being created as an experiment, a musical outlet,
entertainment for friends, "Cocoa" - an attempt to make light and beautiful
pop music, not burdened roaring guitars and hard drums. Perhaps the
this is how they are born of the coolest projects: free from the obligations
just for love.
Like many electronic bands, "Cocoa" is betting on female vocals
and rich musical erudition of both authors. Completes the picture good
sound engineering.
First you hear the sweet, rich tone of voice, she sings-weave
amazingly beautiful and whimsical lyrics, Burlesque. Then sings along
light and in a good hit melodies. And then start and pereslushivat
colorful beads to sort songs one by one, noting with surprise that
"Cocoa" in one track can coexist songs of whales and cats
industrial noise and sounds of the city - and all this wealth so unobtrusively
singing fills the space that is monitored only at the level of nuance.

For bright airy layers of sounds, images and associations generated
open and fluid imagination of the author, is a mature professional
work done not only elegant and tasteful, but absolutely original and
100% in the spirit of the times!


Tracklist :
01.always(4:45)
02 -Po(4:50)
03 -origami(4:59)
04 -kit(3:54)
05 -paraplan(4:32)
06 -Sumac(1:11)
07 -kloun(3:45)
08 -minuty(4:11)
09 -zheleznodorozhnik(4:02)
10 -ka4eli (4:50)
11 -dura(4:21)
12 -napopopolam(3:57)
13 -vals(2:28)
14 -eng(4:35)
15 -lullaby(4:49)

 

Pentatones - The Devils Hand

http://www.pentatones.de





Origine du Groupe : Germany

Style : Trip Hop , Electronic , IDM , Future Jazz

Sortie : 2012





From http://www.residentadvisor.net



A solitary shed by a lake. Surrounded by woods coated in ice. It’s the deepest winter and the Pentatones quartet finds itself in the deserted nature of the Mecklenburg-Vorpommern County. They are
searching for sounds pulsating beyond instruments and machines. Inaudible Music this is, made sound by them only. By night the four move over the frosted lake, play the clarinet and put
themselves in a chilly trance. Months later they will remember dimly these moments in the woods and cast them atmospherically into their album debut “The Devil’s Hand” with icy romance. Highly
attentive to details, they have worked on it for 3 years. Since 2006 the Pentatones tinker with their tessellate electroacoustic sound, in whose center the voice of singer Delhia de France is
floating. To friends of club music she might be known from her collabs with techno producers such as Marlow, Douglas Greed or Robag Whrume. With the Pentatones she combines her emotional timbre
in various forms with the raw basslines by Hannes Waldschütz and the analog and electronic beats and samples by Julian Hetztel a.k.a. Le Schnigg. Albrecht Ziepert creates melodic moods on the
keys, whose appeal one can hardly elude. Their kaleidoscopic arrangements dance between susceptibility and experi¬ment. Enticing pop structures melt with crackling analog electronics - a mixture
laid out to make dance at times, at times to chill. The ambiance of her compositions is gloomy, yet light-flooded in a certain way. It is most notably Delhias voice, which outshines everything,
never standing still, meandering and spinning, opening up a new emotional space with every bre¬ath. The computer with its infinite production possibilities is used in its function as another
instrument. Together with the sampler it forms the center of action, processing everything, from voice to keys, which needs an artistic distancing effect. A contrabass is setting the pace at
times, then again the brass accelerates the tracks highly emotively. In stylistic regards their compositions are never predictable. A touch of organic jazz here, a subtle hip-hop allusion there,
accompanied by a moving club rhythm structure and Delhias captivating voice, which sings, then talks, and whispers in the next moment.

It’s not only the infinite world of sound, which inspires them to their adventurously twisted compositions. For all members being equally active in the visual field, art plays an impor¬tant role
in the act of creating and in the overall concept of the Pentatones. This is being reflected in their life shows, acknowledged with much applause on festivals like “Sonne, Mond und Sterne”, the
“Fusion Festival” or “Ars Electronica”. When they sample themselves during their concerts, modify their sound in real time and vividly interpret their songs, Delhia dances audaciously in
extravagant, self-designed costumes in haughty reserve and effuses eccentric pop magic. Sometimes she takes the megaphone and by hereby altering her voice, she infuses her music with another
exotic tone. With their self-produced videos the Leipzig residents by choice create an artistic universe, which stages the dramatic lyrics of the lead singer in a sublime way. After all they see
themselves as an artificial band, operating beyond the conventional patterns of presentation, bypassing intuitively and creatively common pop stereotypes. Twisted-Pop which gets straight under
your skin, without ever grooving stream¬lined. You can dance to it, lose yourself in it or step into new worlds. There is only one thing difficult to deal with after you enjoyed “The Devil’s
Hand” and that’s to release yourself from its overwhelming emotional impact.





Tracklist :   

01. The Devil's Hand 6:44

02. Determiner 5:14

03. Still Waters 5:54

04. I.A.M. (Fasermarker Pt.2) 6:38

05. Out Of The Woods 1:49

06. On Our Own 6:43

07. Bonfire 6:12

08. Sleeping Bones 6:42

09. Supervisor 5:17

10. This Is An Ocean 5:33

Pentatones - The Devils Hand

http://www.pentatones.de





Origine du Groupe : Germany

Style : Trip Hop , Electronic , IDM , Future Jazz

Sortie : 2012





From http://www.residentadvisor.net



A solitary shed by a lake. Surrounded by woods coated in ice. It’s the deepest winter and the Pentatones quartet finds itself in the deserted nature of the Mecklenburg-Vorpommern County. They are
searching for sounds pulsating beyond instruments and machines. Inaudible Music this is, made sound by them only. By night the four move over the frosted lake, play the clarinet and put
themselves in a chilly trance. Months later they will remember dimly these moments in the woods and cast them atmospherically into their album debut “The Devil’s Hand” with icy romance. Highly
attentive to details, they have worked on it for 3 years. Since 2006 the Pentatones tinker with their tessellate electroacoustic sound, in whose center the voice of singer Delhia de France is
floating. To friends of club music she might be known from her collabs with techno producers such as Marlow, Douglas Greed or Robag Whrume. With the Pentatones she combines her emotional timbre
in various forms with the raw basslines by Hannes Waldschütz and the analog and electronic beats and samples by Julian Hetztel a.k.a. Le Schnigg. Albrecht Ziepert creates melodic moods on the
keys, whose appeal one can hardly elude. Their kaleidoscopic arrangements dance between susceptibility and experi¬ment. Enticing pop structures melt with crackling analog electronics - a mixture
laid out to make dance at times, at times to chill. The ambiance of her compositions is gloomy, yet light-flooded in a certain way. It is most notably Delhias voice, which outshines everything,
never standing still, meandering and spinning, opening up a new emotional space with every bre¬ath. The computer with its infinite production possibilities is used in its function as another
instrument. Together with the sampler it forms the center of action, processing everything, from voice to keys, which needs an artistic distancing effect. A contrabass is setting the pace at
times, then again the brass accelerates the tracks highly emotively. In stylistic regards their compositions are never predictable. A touch of organic jazz here, a subtle hip-hop allusion there,
accompanied by a moving club rhythm structure and Delhias captivating voice, which sings, then talks, and whispers in the next moment.

It’s not only the infinite world of sound, which inspires them to their adventurously twisted compositions. For all members being equally active in the visual field, art plays an impor¬tant role
in the act of creating and in the overall concept of the Pentatones. This is being reflected in their life shows, acknowledged with much applause on festivals like “Sonne, Mond und Sterne”, the
“Fusion Festival” or “Ars Electronica”. When they sample themselves during their concerts, modify their sound in real time and vividly interpret their songs, Delhia dances audaciously in
extravagant, self-designed costumes in haughty reserve and effuses eccentric pop magic. Sometimes she takes the megaphone and by hereby altering her voice, she infuses her music with another
exotic tone. With their self-produced videos the Leipzig residents by choice create an artistic universe, which stages the dramatic lyrics of the lead singer in a sublime way. After all they see
themselves as an artificial band, operating beyond the conventional patterns of presentation, bypassing intuitively and creatively common pop stereotypes. Twisted-Pop which gets straight under
your skin, without ever grooving stream¬lined. You can dance to it, lose yourself in it or step into new worlds. There is only one thing difficult to deal with after you enjoyed “The Devil’s
Hand” and that’s to release yourself from its overwhelming emotional impact.





Tracklist :   

01. The Devil's Hand 6:44

02. Determiner 5:14

03. Still Waters 5:54

04. I.A.M. (Fasermarker Pt.2) 6:38

05. Out Of The Woods 1:49

06. On Our Own 6:43

07. Bonfire 6:12

08. Sleeping Bones 6:42

09. Supervisor 5:17

10. This Is An Ocean 5:33

Meitz - Vertikal

http://volkermeitz.de

http://www.myspace.com/VolkerMeitz

Origine du Groupe : Germany

Style : Electro Jazz , Future Jazz

Sortie : 2003

From : http://jazzport.com

After a few vinyl EP‘s of his own and several remixes for other artists, Berlin based keyboarder and

producer Volker Meitz finally steps out to deliver his debut album. Entitled "Vertikal", it takes you on

an eclectic journey through a wide range of styles - from Soul, House and Funk via Brazil, Afro, Latin

and Fusion to 2-Step, Drum’n’Bass and Broken Beats, yet all coming together under the Jazz banner.

With vocals in different languages (Portuguese, Xosa, Zulu & English), both up-and downtempo

tunes, some atmospheric, some going straight to your feet, the album in it’s versatility appeals to

everyone between home listener and DJ.

"Vertikal" can’t deny reminiscensces to the electronic club scene and yet sounds very live and organic

at the same time. This comes as no surprise since the album features a lot of excellent vocalists and

instrumental players who are involved far more than just being "sampled". Plus, Meitz is an

experienced live keyboarder. Nevertheless, the whole album was produced electronically, where Meitz

also proves to be an amazing drum and percussion programmer. Even professional drummers thought

that some of the tunes had real drums to them...

The soaring ballad "My Love" is the only tune Meitz sings himself. Otherwise he relies on the

contributions of five other vocalists with different nationalities: Originally from Capetown/South Africa,

Vido Jelashe performs on four tunes - amongst them the new Single "Zwakalani" and "(Mayibuye I)

Africa", the title track of Meitz‘ first (and meanwhile sought-after) EP. U.S.-Jazz singer Twana

Rhodes, Soul singer Esther Cowens of Californian origin, Berlin based Daniel Mattar and

writer/Spoken Word artist Kent Evans from New York City complete the list.

Too numerous to mention are all the instrumentalists - to name but a few: Seeed’s trombone player

Jérôme Bugnon and Micatone’s bass player Paul Kleber of Sonarkollektiv fame.

"I seek to close another gap in the ever-growing web between club and non-club, electronic and live

music", says Meitz. "Especially the use of harmonies is mostly still treated with neglect, although

there is another whole world to explore". Tunes like "My Love" and the ambient-jazzy "Aprilwetter"

indeed illustrate that colorful approach. But also rhythmically "Vertikal" has a lot more to offer than

just straight feels in 4/4 - most obviously the three stage brazil track "Passo Em Frente", "Get On Up"

with it’s metric modulation in the epilogue, and "Africa", where the meter breaks down from 4/4 to 7/4,

6/4 and 5/4 in the end (which used to scare off some DJ’s... whereas you can still dance to it =o)

And if all this weren’t enough, you might be interested to know that Meitz‘ musical approach has been

compared to heroes like Herbie Hancock, George Duke or Stevie Wonder. Plus, you can actually go

and see Meitz perform live with an 8 piece band, and that without any sample loops or other

playback.

 

Tracklist :

1 - Can You Live

2 - Zwakalani

3 - Gloom

4 - White Powder Everywhere

5 - Awe Mzala

6 - Aprilwetter

7 - Passo Em Frente

8 - Get On Up (Original Classic Version)

9 - Epilogue (Get On Down)

10 - My Love

11 - (Mayibuye I) Africa (Edit)

12 - (Un Rien De) Mandelbrot

13 - (Mayibuye I) Africa (Restless Soul Remix)

14 - (Mayibuye I) Africa (Dixon's Alternative Version)

15 - Dimanche (DJ Deep Remix)

Meitz - Vertikal

http://volkermeitz.de

http://www.myspace.com/VolkerMeitz

Origine du Groupe : Germany

Style : Electro Jazz , Future Jazz

Sortie : 2003

From : http://jazzport.com

After a few vinyl EP‘s of his own and several remixes for other artists, Berlin based keyboarder and

producer Volker Meitz finally steps out to deliver his debut album. Entitled "Vertikal", it takes you on

an eclectic journey through a wide range of styles - from Soul, House and Funk via Brazil, Afro, Latin

and Fusion to 2-Step, Drum’n’Bass and Broken Beats, yet all coming together under the Jazz banner.

With vocals in different languages (Portuguese, Xosa, Zulu & English), both up-and downtempo

tunes, some atmospheric, some going straight to your feet, the album in it’s versatility appeals to

everyone between home listener and DJ.

"Vertikal" can’t deny reminiscensces to the electronic club scene and yet sounds very live and organic

at the same time. This comes as no surprise since the album features a lot of excellent vocalists and

instrumental players who are involved far more than just being "sampled". Plus, Meitz is an

experienced live keyboarder. Nevertheless, the whole album was produced electronically, where Meitz

also proves to be an amazing drum and percussion programmer. Even professional drummers thought

that some of the tunes had real drums to them...

The soaring ballad "My Love" is the only tune Meitz sings himself. Otherwise he relies on the

contributions of five other vocalists with different nationalities: Originally from Capetown/South Africa,

Vido Jelashe performs on four tunes - amongst them the new Single "Zwakalani" and "(Mayibuye I)

Africa", the title track of Meitz‘ first (and meanwhile sought-after) EP. U.S.-Jazz singer Twana

Rhodes, Soul singer Esther Cowens of Californian origin, Berlin based Daniel Mattar and

writer/Spoken Word artist Kent Evans from New York City complete the list.

Too numerous to mention are all the instrumentalists - to name but a few: Seeed’s trombone player

Jérôme Bugnon and Micatone’s bass player Paul Kleber of Sonarkollektiv fame.

"I seek to close another gap in the ever-growing web between club and non-club, electronic and live

music", says Meitz. "Especially the use of harmonies is mostly still treated with neglect, although

there is another whole world to explore". Tunes like "My Love" and the ambient-jazzy "Aprilwetter"

indeed illustrate that colorful approach. But also rhythmically "Vertikal" has a lot more to offer than

just straight feels in 4/4 - most obviously the three stage brazil track "Passo Em Frente", "Get On Up"

with it’s metric modulation in the epilogue, and "Africa", where the meter breaks down from 4/4 to 7/4,

6/4 and 5/4 in the end (which used to scare off some DJ’s... whereas you can still dance to it =o)

And if all this weren’t enough, you might be interested to know that Meitz‘ musical approach has been

compared to heroes like Herbie Hancock, George Duke or Stevie Wonder. Plus, you can actually go

and see Meitz perform live with an 8 piece band, and that without any sample loops or other

playback.

 

Tracklist :

1 - Can You Live

2 - Zwakalani

3 - Gloom

4 - White Powder Everywhere

5 - Awe Mzala

6 - Aprilwetter

7 - Passo Em Frente

8 - Get On Up (Original Classic Version)

9 - Epilogue (Get On Down)

10 - My Love

11 - (Mayibuye I) Africa (Edit)

12 - (Un Rien De) Mandelbrot

13 - (Mayibuye I) Africa (Restless Soul Remix)

14 - (Mayibuye I) Africa (Dixon's Alternative Version)

15 - Dimanche (DJ Deep Remix)

Frenic - The Future Will Be Better Tomorrow EP

http://www.djfrenic.com

http://www.myspace.com/djfrenic

http://dustedwax.org

Origine du Groupe : U.K

Style : Electro Jazz , Future Jazz

Sortie : 2011

 

From http://dustedwax.org



Frenic has brought together his love of hip-hop and emotive soulful music to create a wonderfully rich throwback sound,

combining moving funky samples, head-nodding drums and slashing turntable cuts.





Tracklist :    

1. Phonographic introduction

2. Alright

3. Everything electric

4. Things get better

5. You are the bomb

6. Echos in India

7. Long misty blue

FREE DOWNLOAD FROM NETLABEL

(cc) by-nc-nd

Frenic - The Future Will Be Better Tomorrow EP

http://www.djfrenic.com

http://www.myspace.com/djfrenic

http://dustedwax.org

Origine du Groupe : U.K

Style : Electro Jazz , Future Jazz

Sortie : 2011

 

From http://dustedwax.org



Frenic has brought together his love of hip-hop and emotive soulful music to create a wonderfully rich throwback sound,

combining moving funky samples, head-nodding drums and slashing turntable cuts.





Tracklist :    

1. Phonographic introduction

2. Alright

3. Everything electric

4. Things get better

5. You are the bomb

6. Echos in India

7. Long misty blue

FREE DOWNLOAD FROM NETLABEL

(cc) by-nc-nd

Frenic - The Future Will Be Better Tomorrow EP

http://www.djfrenic.com

http://www.myspace.com/djfrenic

http://dustedwax.org

Origine du Groupe : U.K

Style : Electro Jazz , Future Jazz

Sortie : 2011

 

From http://dustedwax.org



Frenic has brought together his love of hip-hop and emotive soulful music to create a wonderfully rich throwback sound,

combining moving funky samples, head-nodding drums and slashing turntable cuts.





Tracklist :    

1. Phonographic introduction

2. Alright

3. Everything electric

4. Things get better

5. You are the bomb

6. Echos in India

7. Long misty blue

FREE DOWNLOAD FROM NETLABEL

(cc) by-nc-nd