Icon Shoutcast Network 2.0 DJ DemonAngel icon Mix play music-logo
ipod-icon.png http://www.d-toolsblog.com/wp-content/uploads/2010/02/URC-toolbox-logo.jpg logo-myspace.jpghttp://www.numerama.com/media/attach/facebook-icon.png

翻译此博客

标签

8 bits (16) Abstract Hip Hop (477) Acid jazz (55) Afrobeat (57) Alternative (548) Alternative Fusion (302) Alternative Rock (271) Ambient (237) Avant Garde (2) Blues (200) Chillout (12) Classique (4) DJ (79) Dancehall (32) Downtempo (252) Drum and Bass (29) EP (30) Electro (531) Electro Dub (219) Electro Rock (26) Electronic (179) Ethiopiques (14) Experimental (236) Flamenco (15) Folk (180) Funk (238) Glitch (25) Gospel (3) Groove (40) Hard Rock (36) Heavy Metal (2) Heavy Trash (10) Hip Hop (184) IDM (60) Indie (101) Instrumental (158) Jazz (241) Lizz Fields (2) Lounge (39) Minimalist (16) Mix (47) Mod-folk (2) New Jazz (54) Nu-Classic (4) Nu-Jazz (114) Nu-Soul (100) Oi (4) Other (2) Piano (30) Pop (43) Pop Folk (18) Pop Rock (12) Post Punk (5) Post Rock (31) Psychedelic (138) Punk (86) Ragga (44) Rap (103) Rap Fusion (95) Reggae (480) Remix (49) RnB (12) Rock (119) Rumba (18) Salsa (10) Ska (84) Slam (4) Smooth Jazz (4) Soukous (4) Soul (216) Sufi (2) Trip Hop (296) Trip Pop (8) Vocal (18) World (458) concert (200) dub (154) live (214) podcast (8)
显示标签为“Funk”的博文。显示所有博文
显示标签为“Funk”的博文。显示所有博文

2013年3月7日星期四

Alice Russell - To Dust (2013) [Alternative , Nu-Soul]

http://bandweblogs.com/blog/wp-content/uploads/2012/12/alicerussell1214.jpg

http://www.alicerussell.com

Country : U.K
Genre : Nu-Soul
Style : Alternative , Funk Soul

Label : Differ-ant

 

logo-info

video-icon

icon streaming

00000000000000DOWNLOAD

uTorrent-icon 

 

 

Tracklist :

01. A To Z (1:32)
02. Heartbreaker Pt.2 (3:31)
03. For A While (4:52)
04. Heartbreaker (3:41)
05. I Loved You Interlude (0:35)
06. Hard And Strong (4:05)
07. To Dust (3:11)
08. I Loved You (3:58)
09. Twin Peaks (4:31)
10. Heartbreaker Interlude (1:17)
11. Let Go (Breakdown) (3:15)
12. Drinking Song Interlude (2:02)
13. Citizens (2:45)
14. Different (Bonus Track) (5:21)

2013年3月4日星期一

Mountain Mocha Kilimanjaro - Taking A Lesson From The Past (2012) [Instrumental Soul Funk]

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhegq5JwL2sXqU7-0LlZwx0cwWoHMcu7hfqZkC06iL_q84Ub95qEg7uh34cw8XWX1CFC-8o4EgvmY-6GGscomf5B2tMHEF44LNoHjv7sQfF76jxeSGzOmlzmBcMBo1xFsYvrTc6PCxLZqPB/s1600/mountainmoc_takingale_101b.jpg

http://www.kilimanjaro.jp

Country : Jamaica
Genre : Soul Funk
Style : Acid Jazz , Instrumental , Jam Band

Label : P-Vine/Backfire Records

 

logo-info

video-icon

icon streaming

00000000000000DOWNLOAD

uTorrent-icon 

 

 

Tracklist :

01 Power Of Soul
02 Get Your Point Over
03 Exodus
04 Too High
05 Mean Street
06 Tell Me A Bedtime Story
07 Space Dust
08 Immigrant Song
09 Blackbyrds' Theme
10 The Long And Winding Road
11 K.I.T.T. Knight Rider Main Title (DJ Uppercut Remix)

2012年12月21日星期五

Nina Attal - à Nancy Jazz Pulsations (2012) [Jazz Blues Soul Funk)

http://www.ninaattal.com/ninaattal.com/accueil_files/Sans-titre-1.jpg
http://www.ninaattal.com

Origine du Groupe : France
Style : Jazz Fusion , Blues , Soul , Funk
logo-info
video-icon


icon streaming
00000000000000DOWNLOAD

Tracklist :
1. Stand Up
2. Output
3. Childhood
4. Over the Mountain
5. Tell Me Something Good
6. Blackstar
7. What a DIrty Night
8. Do It Right Now
9. P.

2012年11月3日星期六

Sola Rosa - Low and Behold, High and Beyond

http://f0.bcbits.com/z/19/73/1973181656-1.jpg

http://www.solarosa.com

Origine du Groupe : New Zeland
Style : Alternative Fusion , Nu-Soul , Funk , Reggae , Electro
Sortie : 2012

icon streaming

00000000000000DOWNLOAD

00000000000000DOWNLOAD

 

From http://music.solarosa.com
From a humble, self-released one man project, Sola Rosa has grown to a high-octane live collective, successfully melding hip hop, reggae, latin, soul and funk. The group have collaborated with artists such as Spikey Tee, Olivier Daysoul and Julien Dyne, while a number of tracks have been remixed by producers as noteworthy as The Nextmen, DJ Vadim, TM Juke and J Star.


Tracklist :
1.Promise Ft. Olivier Daysoul 04:30
2.I'm Not That Guy Ft. Spikey Tee 04:00   
3.Spinning Top Ft. L.A. Mitchell 03:25
4.Lions Den 04:40
5.Rise (The Machine) Ft. Spikey Tee 04:22   
6.Misunderstood Ft. Miles Bonny 04:42   
7.Real Life Ft. L.A. Mitchell 04:28       
8.Wiggle Ft. Olivier Daysoul 03:05   
9.Never Enough Ft. Ned Worboys 04:52
10.In My Dreams Ft. Spikey Tee 05:09   
11.Loveless Ft. L.A. Mitchell 03:50

2012年10月30日星期二

Mr. Confuse - Do You Realize Web

http://justfunked.com/wp-content/uploads/2012/09/1348720595_00-mr._confuse-do_you_realize-web-2012-xxx-300x300.jpg

http://www.mrconfuse.com
https://www.myspace.com/mrconfuse

Origine du Groupe : Germany
Style : Funk
Sortie : 2012

icon streaming

00000000000000DOWNLOAD

00000000000000DOWNLOAD

 

From http://www.mrconfuse.com
On ‘Do You Realize’ Mr. Confuse picks up on the distinctive, organic and powerful sound he introduced on ‘Feel The Fire’ and takes it a step further. ‘Do You Realize’ tells a story from the beginning to the end: ‘We Gonna Bring The Funk To You’ with featured singer and main vocalist Dan Salem allows no second thoughts as a perfect opener and leads into ‘Catch Me’, the first single release. In a total of 13 tracks and with fullon party tunes like ‘Never Let The Rhythm Go’ and ‘Let’s Get The Feeling’ the album keeps a steady pace. The second single releases ‘Too Hot’ and the conscious and soulful ‘Why Can’t You See Me’ carries ‘Do You Realize’ to the perfect ending with the moving soul ballad ‘Cool Smooth Waters’ introducing the mighty soul voice of Mrs Elaine Thomas.

It would not be a true Mr. Confuse album if it would not pay tribute to a musical pioneer. With his versions of ‘Boogie Down (Bronx)’ (with the voice of well know German Reggae artist Benjie) and ‘Man Made’ (featuring Dan Salem) Mr. Confuse pays tribute to Man Parrish as one of the innovators who translated Funk and Boogie into the HipHop-Era of early Electro and Freestyle. ‘Do You Realize’ comes as an apt title then.
Accompanying the album there will be a colourful bunch of remixes released in various formats. Remixes by well known producers such as Smoove, Dr. Rubberfunk, Lack Of Afro, Daytoner, The Uptown Felaz, Tom Eno, Przasnik and Funkmaster Ozone amongst many others show Mr. Confuse’s respect for the remix culture, something which was always a major part in the career of the producer from Hannover/Germany who started DJing in 1999 and is producing and composing his own music since 2004. As a member of the Breakout crew in 2005 Mr. Confuse came up with the idea of reworking the 80s classic ‘Planet Rock’ by Afrika Bambaataa and transforming it into a heavy funk tune. Through the years Mr. Confuse released his music and remixes with many international labels (Good Groove, Dominance, Shiftin’ Gears and many more) and recorded a collection of different MixCDs.

In September 2008 his first solo album ‘Feel The Fire’ was released on DLP, CD and digital download. Mr. Confuse’s live band ‘Mr. Confuse & The Confusers’ was called to existence with a heavy horn section of seven players and true Hammond C3 sound also that year. Appearing as 14 musicians strong collective it is an impressive breaks big band. On ‘Feel The Fire’ are cover versions of Debbie Deb’s Freestyle-Electro-Classics ‘Lookout Weekend’ and ‘When I Hear Music’ in a heavy seventies Funk style. The 12inch version of ‘Lookout Weekend’ sold out quickly, but even three years after its original release the track is still a steady download seller. 2009 saw two more 12 inches following the album with the ‘Do It Right Now’ and the ‘Imóvel’ EPs. Mr. Confuse was also invited to feature on the first release on the 7inch label ‘Freesoul45
Records’ with two massive HipHop instrumental tunes that year. 2009 continued with ‘Feel The Fire – The Remixes’ which is available digitally and includes all remixes of the three 12inch vinyl plus never released before versions.

With ‘Do You Realize” Mr. Confuse is not only expanding his trademark sound but the album also introduces him as a musical director with an open ear for the bigger picture. With up to 23 international musicians he created incredible sounding big arrangements you would rather expect from the good times of big studios from the 60s and 70s. Here is a producer who not only reveals a deep understanding of the rhythms ranging from Afro to Soul and from classic R&B to HipHop, but who also has a vision of translating history into the future. ‘Do You Realize’? Indeed we do!


Tracklist :
01 We Gonna Bring The Funk To You – feat. Dan Salem
02 Catch Me – feat. Dan Salem
03 Big Livin’ – feat. Lady EmZ
04 Boogie Down – feat. Benjie
05 Let’s Get The Feeling – feat. Elaine Thomas
06 Never Let The Rhythm Go – feat. Georgie B.
07 Do You Realize – feat. Marc-Amadeus Figge
08 Man Made – feat. Dan Salem
09 I Know Your Love Is True – feat. Dan Salem
10 Hold On – feat. Dan Salem
11 Why Can’t You See Me – feat. Elaine Thomas
12 Too Hot – feat. Elaine Thomas and Dan Salem
13 Cool Smooth Waters – feat. Elaine Thomas 


2012年10月18日星期四

Ruby Velle & The Soulphonics - It's About Time

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-lNRQoEv4nYBNiAz8JOBYxOmi9gF534YFRFZsfDyzVbJHjshkn6lpjPbGgLumK3nbPQ-k69HDRcOON0LEkN6nJE1vpJSHG4KyLWpA9LmTyMe5_vXOr-LokmlLdxVEgk1gTYAoTO6uGTfk/s1600/ruby+velle.jpg
http://rubyvelleandthesoulphonics.com
https://www.myspace.com/soulphonics

Origine du Groupe : North America
Style : R&B , Funk , Soul
Sortie : 2012
icon streaming
00000000000000DOWNLOAD
00000000000000DOWNLOAD


From http://rubyvelleandthesoulphonics.com
“It’s About Time,” the full-length debut album from Atlanta’s Ruby Velle & The Soulphonics, has quickly made waves around the globe since its recent September 2012 release.

In the US, the lead off single “My Dear” was featured as iTunes’ “single of the week”, sparking a digital soul-grab of 200,000 single downloads, and 1200 full album download sales, landing the album at #4 on the iTunes R&B charts. The same week, Jim Farber of The New York Daily News named the album in his much  sought-after top ten. Inaddition, Google Play is offering“MyDear” as a free track for the month of October for all its smartphone users.

In Europe, bloggers have posted a number of ecstatic reviews–finally having a Soulphonics full-length on their decks after the band’s former EU teaser-singles, most notably a 2010 inclusion of the single “Heartlite” on a compilation album by the UK’s Acid Jazz Records. Respond- ing to this rising buzz across the pond, a spring Europe tour is in the works, with the band’s avails there centering in April.

Ruby Velle & The Soulphonics roots are embedded in the rich sound and history of Georgia soul, beginning with the early 50’s and 60’s R&B that became so well known around the world. Having performed countless gigs since 2005, and with a slew of 45rpm singles already under their belts, the band has already contributed heavily to the steadily increasing awareness of genuine rhythm and blues music that exists today. They pack clubs and festivals with their original brand of soul, all of which is written and recorded in Atlanta. Ruby Velle & The Soulphonics are taking it world wide in 2012, with the release of “It’s About Time.”


Tracklist :
01. My Dear
02. Medicine Spoon
03. The Man Says
04. The Agenda
05. Looking for a Better Thing
06. Soul of the Earth
07. Coming Home to You
08. Mr. Wrong
09. Longview
10. It's About Time

2012年9月27日星期四

Skyy - Skyy

http://discofunk.files.wordpress.com/2008/02/skyy.jpeghttp://en.wikipedia.org/wiki/Skyy





Origine du Groupe : North America

Style : Disco , Funk

Sortie : 1979

icon streaming

00000000000000DOWNLOAD

00000000000000DOWNLOAD

 


Wikipedia :

The seeds for Skyy were sown in Brooklyn, New York in 1973, when sisters Denise, Delores, and Bonne Dunning first met musician Solomon Roberts, Jr. The record producer/keyboardist Randy Muller (who was also a member Brass Construction and an arranger for B.T. Express) soon became involved with the project. By 1976, the Skyy lineup of the three Dunning sisters as vocalists, Roberts as the male vocalist/guitarist, Anibal Anthony Sierra on guitars and keyboards, Larry Greenberg on keyboards, Gerald Lebon on bass, and Tommy McConnell on drums had solidified.

In the late 1970s, Skyy signed to Salsoul Records. After several albums that saw moderate success in the R&B market, the group crossed over to the mainstream in a big way with the release of the Skyy Line album in late 1981. Featured on this album was the single "Call Me," which gave the group their first (and only, to date) top 40 hit on the pop charts, peaking at #26 in 1982. It also became the first of several #1 R&B hits for Skyy. Meanwhile, the group continued to record for the Salsoul label up through the release of their 1984 Inner City album (Salsoul would fold in 1985), scoring several additional hits on the R&B chart during that time.

In the mid-1980s, the group signed with Capitol Records and released their next album, From the Left Side in 1986. Apart from the top ten R&B single, "Givin' It (to You)," the album saw limited success, and the group left Capitol soon thereafter.

Things were looking rather bleak for the band by the late 1980s. However, after signing to Atlantic Records, Skyy launched a major comeback in 1989 with the release of their successful Start of a Romance album. This release spun off two #1 R&B singles, with both the title track ("Start of a Romance") and the Quiet Storm classic, "Real Love" claiming the top spot. "Real Love" also became the group's second and final crossover pop hit peaking at #47 on the Billboard Hot 100 chart in early 1990. The second single released from the album (between the title track and "Real Love"), "Love All the Way" also cracked the R&B top 50. By the release of the Nearer to You album in 1992, the hits had again dried up, and the band has not released a new studio album since then.


Tracklist :
01. This Groove Is Bad - (Solomon Roberts, Jr.) 6:20
02. First Time Around - (Randy Muller) 6:37
03. Lets Turn It Out - (Randy Muller) 6:37
04. Fallin' In Love Again - (Solomon Roberts, Jr.) 4:51
05. Stand By Me - (Solomon Roberts, Jr.) 5:04
06. Disco Dancin' - (Randy Muller) 4:12
07. Lets Get Up (S-k-y-y) - (Solomon Roberts, Jr.) 5:17
08. First Time Around (Remix) - (Randy Muller) 7:29
09. First Time Around (Disco Mix) - (Randy Muller) 9:02
10. First Time Around (Special Remix) - (Randy Muller) 6:30

Skyy - Skyy

http://discofunk.files.wordpress.com/2008/02/skyy.jpeghttp://en.wikipedia.org/wiki/Skyy





Origine du Groupe : North America

Style : Disco , Funk

Sortie : 1979

icon streaming

00000000000000DOWNLOAD

00000000000000DOWNLOAD

 


Wikipedia :

The seeds for Skyy were sown in Brooklyn, New York in 1973, when sisters Denise, Delores, and Bonne Dunning first met musician Solomon Roberts, Jr. The record producer/keyboardist Randy Muller (who was also a member Brass Construction and an arranger for B.T. Express) soon became involved with the project. By 1976, the Skyy lineup of the three Dunning sisters as vocalists, Roberts as the male vocalist/guitarist, Anibal Anthony Sierra on guitars and keyboards, Larry Greenberg on keyboards, Gerald Lebon on bass, and Tommy McConnell on drums had solidified.

In the late 1970s, Skyy signed to Salsoul Records. After several albums that saw moderate success in the R&B market, the group crossed over to the mainstream in a big way with the release of the Skyy Line album in late 1981. Featured on this album was the single "Call Me," which gave the group their first (and only, to date) top 40 hit on the pop charts, peaking at #26 in 1982. It also became the first of several #1 R&B hits for Skyy. Meanwhile, the group continued to record for the Salsoul label up through the release of their 1984 Inner City album (Salsoul would fold in 1985), scoring several additional hits on the R&B chart during that time.

In the mid-1980s, the group signed with Capitol Records and released their next album, From the Left Side in 1986. Apart from the top ten R&B single, "Givin' It (to You)," the album saw limited success, and the group left Capitol soon thereafter.

Things were looking rather bleak for the band by the late 1980s. However, after signing to Atlantic Records, Skyy launched a major comeback in 1989 with the release of their successful Start of a Romance album. This release spun off two #1 R&B singles, with both the title track ("Start of a Romance") and the Quiet Storm classic, "Real Love" claiming the top spot. "Real Love" also became the group's second and final crossover pop hit peaking at #47 on the Billboard Hot 100 chart in early 1990. The second single released from the album (between the title track and "Real Love"), "Love All the Way" also cracked the R&B top 50. By the release of the Nearer to You album in 1992, the hits had again dried up, and the band has not released a new studio album since then.


Tracklist :
01. This Groove Is Bad - (Solomon Roberts, Jr.) 6:20
02. First Time Around - (Randy Muller) 6:37
03. Lets Turn It Out - (Randy Muller) 6:37
04. Fallin' In Love Again - (Solomon Roberts, Jr.) 4:51
05. Stand By Me - (Solomon Roberts, Jr.) 5:04
06. Disco Dancin' - (Randy Muller) 4:12
07. Lets Get Up (S-k-y-y) - (Solomon Roberts, Jr.) 5:17
08. First Time Around (Remix) - (Randy Muller) 7:29
09. First Time Around (Disco Mix) - (Randy Muller) 9:02
10. First Time Around (Special Remix) - (Randy Muller) 6:30

2012年8月19日星期日

Orelha Negra - Orelha Negra

http://4.bp.blogspot.com/-MI-2pWGo39Y/T8v3WBdYYXI/AAAAAAAAMoM/DBQFhPG9uto/s1600/Orelha+Negra+%25E2%2580%2593+Orelha+Negra+%25282012%2529.jpg

https://www.myspace.com/orelhanegra





Origine du Groupe : Portugal

Style : Alternative , Instrumental, Soul, Funk, Hip Hop, Trip-Hop, Downtempo

Sortie : 2012

icon streaming

00000000000000DOWNLOAD

 


From http://www.enchufada.com


The thrive to share experiences- in a studio and on stage- was always in the core of music creation. When you combine the individual experience with the common goal, you get more than the sum of all parts, you have ORELHA NEGRA.

Unique bunch of “characters” that bring their talent and knowledge of music to another level compose this Project. For whom it might concern we have Cruz (DJ/ Scratches), Ferrano (Drums), Gomes Prodigy (Keyboards, Synths), Mira Professional, (Voice Sampler/MPC, Synths) and Rebelo Jazz Bass (Bass guitar, Rhythm Guitar).

Orelha Negra uses the sleeve cover technique (sleeveface.com) as a way to bring up the image of a collective enhancing the core and prominence of this project, which is their music.

A MPC, a pair of Technics turntables, Drums, Keybords, Bass and Rhythm guitar. United becomes living tissue that emanates groove beats, samples, loops and a sound of their own.

Orelha Negra is the result of putting together pieces of a puzzle. In each piece you find music history, the roots of black music such as Jazz, Soul, Funk, Groove and Hip-Hop, and a lot of Portuguese culture represented by renowned musicians that are translated to the collective’s language. The ability to transform their influences in to a unique and new sound is their challenge….

You find in their sound borders that are defined by the past, present and a near future. A sound that makes you stamp your foot or clap your hands, a sound that you can´t stay different to…. It makes you reminisce and try to recognize that groove or beat or sample but it turns out to be a fresh new sound in your face!!!!!


Tracklist :
01. Um Brinde
02. Blue Tu
03. Polaroid
04. Throwback
05. Round4Round
06. No Ar
07. Espelho
08. Golden Hotel
09. Juras
10. O Segredo
11. Bala Cola
12. Viva Ela
13. 34-7
14. Luta
15. Aurora

Orelha Negra - Orelha Negra

http://4.bp.blogspot.com/-MI-2pWGo39Y/T8v3WBdYYXI/AAAAAAAAMoM/DBQFhPG9uto/s1600/Orelha+Negra+%25E2%2580%2593+Orelha+Negra+%25282012%2529.jpg

https://www.myspace.com/orelhanegra





Origine du Groupe : Portugal

Style : Alternative , Instrumental, Soul, Funk, Hip Hop, Trip-Hop, Downtempo

Sortie : 2012

icon streaming

00000000000000DOWNLOAD

 


From http://www.enchufada.com


The thrive to share experiences- in a studio and on stage- was always in the core of music creation. When you combine the individual experience with the common goal, you get more than the sum of all parts, you have ORELHA NEGRA.

Unique bunch of “characters” that bring their talent and knowledge of music to another level compose this Project. For whom it might concern we have Cruz (DJ/ Scratches), Ferrano (Drums), Gomes Prodigy (Keyboards, Synths), Mira Professional, (Voice Sampler/MPC, Synths) and Rebelo Jazz Bass (Bass guitar, Rhythm Guitar).

Orelha Negra uses the sleeve cover technique (sleeveface.com) as a way to bring up the image of a collective enhancing the core and prominence of this project, which is their music.

A MPC, a pair of Technics turntables, Drums, Keybords, Bass and Rhythm guitar. United becomes living tissue that emanates groove beats, samples, loops and a sound of their own.

Orelha Negra is the result of putting together pieces of a puzzle. In each piece you find music history, the roots of black music such as Jazz, Soul, Funk, Groove and Hip-Hop, and a lot of Portuguese culture represented by renowned musicians that are translated to the collective’s language. The ability to transform their influences in to a unique and new sound is their challenge….

You find in their sound borders that are defined by the past, present and a near future. A sound that makes you stamp your foot or clap your hands, a sound that you can´t stay different to…. It makes you reminisce and try to recognize that groove or beat or sample but it turns out to be a fresh new sound in your face!!!!!


Tracklist :
01. Um Brinde
02. Blue Tu
03. Polaroid
04. Throwback
05. Round4Round
06. No Ar
07. Espelho
08. Golden Hotel
09. Juras
10. O Segredo
11. Bala Cola
12. Viva Ela
13. 34-7
14. Luta
15. Aurora

2012年7月26日星期四

Bibi Tanga And The Selenites - 40 Degrees Of Sunshine

http://www.boomerangshop.com/dvdcover/upc303/0899564001826.jpg

http://www.bibitanga.com

https://www.myspace.com/bibitanga





Origine du Groupe : Republic Central Africa , France

Style : Alternative , Funk

Sortie : 2012

icon streaming

00000000000000DOWNLOAD


From Official Site

Parisian groove theorists Bibi Tanga and The Selenites return in 2012 with 40 ° of Sunshine, their second release for the Nat Geo Music label. Due out on late spring 2012, 40 ° of Sunshine was recorded in the studio after a two month African tour, and it’s the group’s most warm, relaxed and deeply poetic recording yet.

“The whole band was in a more sunny and happy place for the recording of this album,” says frontman/bandleader Bienvenu (Bibi) Tanga, “which took place after an African tour that brought us to 12 hot countries. Our relationships as musicians and as friends were reinforced by this long tour, and the album is more sunny than the previous ones. On the first two albums, the moon was our central symbol figure, this time it’s the sun”.

The album’s title track, “40 ° of Sunshine”, was also inspired by this experience, as Bibi explains: “40 ° of Sunshine takes some poetic license. It’s a story that imagines what would happen if alcohol were replaced by liquid sunshine; 40 ounces of bottled sunshine”.

It’s been two years since the world was introduced to Bibi and Selenites on Dunya, their 2010 release for Nat Geo Music, but the group’s unique retro-futurist vision and smooth, Afro-Parisian sound remain intact on 40 Degrees of Sunshine. And their longtime producer and collaborator, le Professeur Inlassable, was once again at the controls in his studio near the banks of the Seine on the left bank of Paris, polishing the group’s sound to a luxurious sheen.

For those who missed out on Bibi Tanga’s international debut, here’s the recap: Born in Bangui in 1969,the dusty capital of the Central African Republic, Bienvenu (Bibi) Tanga didn’t see his homeland until the age of 2, when his parents brought him back from Paris where they moved just after he was born. Growing up, Bibi was one of 7 children and spent his earliest years shuttling from Paris to Africa to Moscow to Washington, D.C., and Brooklyn, thanks to his father’s diplomatic postings. Eventually Bibi’s family ended up living in the suburbs of Paris, where he became a musical omnivore – devouring British new wave, African pop, and American blues and R&B in equal doses. As a teenager, Bibi learned guitar, bass and saxophone – and even took up tap dancing.
In 2000 Bibi – by now fronting his own band – teamed up with Professeur Inlassable (the tireless professor), and never looked back. A student of early decades of French popular music, Le Professeur adds a whole new dimension to Bibi Tanga’s sound, recreating lost musical soundscapes that invoke echoes of Edith Piaf, Jacques Brel and Serge Gainsbourg. Together with Bibi’s band The Selenites – Arthur Simonini on violin and keyboards, Rico Kerridge on guitar and Arnaud Biscay on drums – Bibi and Le Professeur craft an otherworldly sound.
On 40 Degrees of Sunshine the Selenites are tighter than ever, and Bibi stresses that “This record is an even more collective effort than the previous one” stressing that the albums songs emerged spontaneously and naturally from the bands’ informal studio jam sessions.

“The album was recorded over a few weeks in the summer of 2011, during nightly jam sessions,” Bibi explains. “All the tracks emerged from collective jams based around le Professeur Inlassable’s sample techniques. He set the mood with his loops and then the band joins in to create musical background for me to write songs or sing poetry.”

That relaxed, collective approach paid off with funky synchronicities and poetic couplings on tracks like “Poet of the Soul” – built around a slippery funk groove married to lines from poet Walt Whitman’s masterpiece “Leaves of Grass” – and “Laughing Song” – based around a poem by canonical English poet William Blake.

Two of the album’s tracks, “Kangoya” and “Banda a gui koua” are sung in the Sango language of Bibi’s ancestors. Bibi explains that “kangoya is the name for palmwine in Sango, and the song deals with the beverage in a positive way, as a social and familial means to bring people together. While banda a gui koua is the name of a traditional dish of greens from Central African Republic. The song deals with immigrants’ love of recipes from their native countries.”

“Banda a gui koua” also introduces guest singer Emma Lamadji, who appears on seven of the album’s tracks. A fellow immigrant to France from the Central African Republic, Bibi and the band saw Emma singing with an Afrobeat band while on tour and a friendship was soon forged.

One track, “My Heart Is Jumping.” has a darker backstory than the rest, as Bibi recounts: “the track is built around Professeur Inlassable‘s loops of an obscure 1930s recording, which had a woman singing the words, ‘my heart is jumping’. Two days after le Professeur made the loop he had a little heart attack of his own.”

“Don’t worry” Bibi adds. “He feels better now and this event even had some positive influence on his life. But these kind of magic synchronicities happen frequently when the band is creating, because of our improvised/ free composition process that implies a lot of unconcsious and irrational attitudes.”

It’s this kind of fearless embrace of the creative mysteries that makes 40 ° of Sunshine such a surprising and satisfying listen – you never know where your head will roam, but your feet will always be firmly planted on the dancefloor.


Tracklist :
1. Poet of the Soul (03:28)
2. My Heart Is Jumping (03:48)
3. Banda a Gui Koua (03:34)
4. Can't Handle This (03:53)
5. Laughing Song (03:36)
6. Kangoya (03:01)
7. Do What You Wanna Do (03:29)
8. Dark Funk (04:00)
9. Happy Dustman (04:58)
10. People Are Working (02:24)
11. 40 of Sunshine (02:50)
12. Attraction (01:47)

Bibi Tanga And The Selenites - 40 Degrees Of Sunshine

http://www.boomerangshop.com/dvdcover/upc303/0899564001826.jpg

http://www.bibitanga.com

https://www.myspace.com/bibitanga





Origine du Groupe : Republic Central Africa , France

Style : Alternative , Funk

Sortie : 2012

icon streaming

00000000000000DOWNLOAD


From Official Site

Parisian groove theorists Bibi Tanga and The Selenites return in 2012 with 40 ° of Sunshine, their second release for the Nat Geo Music label. Due out on late spring 2012, 40 ° of Sunshine was recorded in the studio after a two month African tour, and it’s the group’s most warm, relaxed and deeply poetic recording yet.

“The whole band was in a more sunny and happy place for the recording of this album,” says frontman/bandleader Bienvenu (Bibi) Tanga, “which took place after an African tour that brought us to 12 hot countries. Our relationships as musicians and as friends were reinforced by this long tour, and the album is more sunny than the previous ones. On the first two albums, the moon was our central symbol figure, this time it’s the sun”.

The album’s title track, “40 ° of Sunshine”, was also inspired by this experience, as Bibi explains: “40 ° of Sunshine takes some poetic license. It’s a story that imagines what would happen if alcohol were replaced by liquid sunshine; 40 ounces of bottled sunshine”.

It’s been two years since the world was introduced to Bibi and Selenites on Dunya, their 2010 release for Nat Geo Music, but the group’s unique retro-futurist vision and smooth, Afro-Parisian sound remain intact on 40 Degrees of Sunshine. And their longtime producer and collaborator, le Professeur Inlassable, was once again at the controls in his studio near the banks of the Seine on the left bank of Paris, polishing the group’s sound to a luxurious sheen.

For those who missed out on Bibi Tanga’s international debut, here’s the recap: Born in Bangui in 1969,the dusty capital of the Central African Republic, Bienvenu (Bibi) Tanga didn’t see his homeland until the age of 2, when his parents brought him back from Paris where they moved just after he was born. Growing up, Bibi was one of 7 children and spent his earliest years shuttling from Paris to Africa to Moscow to Washington, D.C., and Brooklyn, thanks to his father’s diplomatic postings. Eventually Bibi’s family ended up living in the suburbs of Paris, where he became a musical omnivore – devouring British new wave, African pop, and American blues and R&B in equal doses. As a teenager, Bibi learned guitar, bass and saxophone – and even took up tap dancing.
In 2000 Bibi – by now fronting his own band – teamed up with Professeur Inlassable (the tireless professor), and never looked back. A student of early decades of French popular music, Le Professeur adds a whole new dimension to Bibi Tanga’s sound, recreating lost musical soundscapes that invoke echoes of Edith Piaf, Jacques Brel and Serge Gainsbourg. Together with Bibi’s band The Selenites – Arthur Simonini on violin and keyboards, Rico Kerridge on guitar and Arnaud Biscay on drums – Bibi and Le Professeur craft an otherworldly sound.
On 40 Degrees of Sunshine the Selenites are tighter than ever, and Bibi stresses that “This record is an even more collective effort than the previous one” stressing that the albums songs emerged spontaneously and naturally from the bands’ informal studio jam sessions.

“The album was recorded over a few weeks in the summer of 2011, during nightly jam sessions,” Bibi explains. “All the tracks emerged from collective jams based around le Professeur Inlassable’s sample techniques. He set the mood with his loops and then the band joins in to create musical background for me to write songs or sing poetry.”

That relaxed, collective approach paid off with funky synchronicities and poetic couplings on tracks like “Poet of the Soul” – built around a slippery funk groove married to lines from poet Walt Whitman’s masterpiece “Leaves of Grass” – and “Laughing Song” – based around a poem by canonical English poet William Blake.

Two of the album’s tracks, “Kangoya” and “Banda a gui koua” are sung in the Sango language of Bibi’s ancestors. Bibi explains that “kangoya is the name for palmwine in Sango, and the song deals with the beverage in a positive way, as a social and familial means to bring people together. While banda a gui koua is the name of a traditional dish of greens from Central African Republic. The song deals with immigrants’ love of recipes from their native countries.”

“Banda a gui koua” also introduces guest singer Emma Lamadji, who appears on seven of the album’s tracks. A fellow immigrant to France from the Central African Republic, Bibi and the band saw Emma singing with an Afrobeat band while on tour and a friendship was soon forged.

One track, “My Heart Is Jumping.” has a darker backstory than the rest, as Bibi recounts: “the track is built around Professeur Inlassable‘s loops of an obscure 1930s recording, which had a woman singing the words, ‘my heart is jumping’. Two days after le Professeur made the loop he had a little heart attack of his own.”

“Don’t worry” Bibi adds. “He feels better now and this event even had some positive influence on his life. But these kind of magic synchronicities happen frequently when the band is creating, because of our improvised/ free composition process that implies a lot of unconcsious and irrational attitudes.”

It’s this kind of fearless embrace of the creative mysteries that makes 40 ° of Sunshine such a surprising and satisfying listen – you never know where your head will roam, but your feet will always be firmly planted on the dancefloor.


Tracklist :
1. Poet of the Soul (03:28)
2. My Heart Is Jumping (03:48)
3. Banda a Gui Koua (03:34)
4. Can't Handle This (03:53)
5. Laughing Song (03:36)
6. Kangoya (03:01)
7. Do What You Wanna Do (03:29)
8. Dark Funk (04:00)
9. Happy Dustman (04:58)
10. People Are Working (02:24)
11. 40 of Sunshine (02:50)
12. Attraction (01:47)

2012年7月4日星期三

The Bamboos - Medicine Man

http://blog.bklyn.de/wp-content/uploads/2012/06/the-bamboos-medicine-man.jpghttp://www.thebamboos.com

https://www.myspace.com/thebamboos





Origine du Groupe : Australia

Style : Alternative , Funk , Soul

Sortie : 2012



LINK REMOVE DMCA REQUEST



By David Katz   from http://www.bbc.co.uk The Australians’ hybrid soul and funk sound continues to impress. During the last decade, Melbourne-based musical conglomerate The Bamboos have been making an impact with a hybrid sound tastefully referencing the great soul and funk of the 1960s and 70s, without ever falling into the retro trap. That their material has been handled by Tru Thoughts, the Brighton-based independent that has brought forth musical delights by Quantic and Bonobo, already gives it a certain legitimacy – but the proof of the pudding is in the eating, and Medicine Man, the group’s fifth album, goes down like a mango and lemon syllabub. It’s tastefully done, and possesses many hidden textures and contours; the more you get of it, the more you like it. Perhaps the best thing The Bamboos have going for them is their superb musicianship. Bandleader Lance Ferguson is obviously a brilliant guitarist but he is never overly flashy with his lead licks; his solos help convey emotion in suitably brief bright blasts of treble, instead of overburdening a tune with unnecessary pyrotechnics. Bass duties are shared between Ferguson and his creative foil, producer John Castle, who also plays piano and a spot of drums, and the bass lines on this album are suitably cavernous, helping to ground the material between melodic hooks and danceable grooves. Where Does The Time Go?, sung by Aloe Blacc, is the kind of song that anyone of a certain age can relate to; as Ferguson, Castle and team propel the music forward, Blacc laments the passing of his youth. Co-conspirator Kylie Auldist features on a quarter of the disc, and even if her style is rooted in early 1970s funk, the band pull in enough original elements to make sure the work is always their own. For instance, Window counterbalances Auldist’s blues-funk growl with light strings and a gently bouncing beat. Similarly, Hello Stranger has a great sitar accompaniment that hearkens to 1960s psychedelia, but never in a way that is constrained by the reference. Other guests include Tim Rogers of You Am I, soul crooners Bobby Flynn and Daniel Merriweather, and Megan Washington, whose appealing vocals grace a horns-heavy version of The Wilhelm Scream. The music here would sound dynamite live, so look out for appearances. And even if you can’t make it to a show, this album is definitely worth investigating. Get your hands on a copy and dig in. Tracklist : 01. Where Does The Time Go? (Feat. Aloe Blacc) 03:38 02. What I Know (Feat. Kylie Auldist) 04:07 03. The Wilhelm Scream (Feat. Megan Washington) 04:28 04. Cut Me Down (Feat. Kylie Auldist) 03:36 05. I Got Burned (Feat. Tim Rogers) 04:20 06. I Never (Feat. Daniel Merriweather) 03:52 07. Midnight (Feat. Bobby Flynn) 04:04 08. Eliza (Feat. Megan Washington) 03:50 09. Medicine Man (Feat. Ella Thompson) 03:08 10. Hello Stranger (Feat. Kylie Auldist & Ella Thompson) 04:30 11. Window (Feat. Kylie Auldist) 03:31