Icon Shoutcast Network 2.0 DJ DemonAngel icon Mix play music-logo
ipod-icon.png http://www.d-toolsblog.com/wp-content/uploads/2010/02/URC-toolbox-logo.jpg logo-myspace.jpghttp://www.numerama.com/media/attach/facebook-icon.png

翻译此博客

标签

8 bits (16) Abstract Hip Hop (477) Acid jazz (55) Afrobeat (57) Alternative (548) Alternative Fusion (302) Alternative Rock (271) Ambient (237) Avant Garde (2) Blues (200) Chillout (12) Classique (4) DJ (79) Dancehall (32) Downtempo (252) Drum and Bass (29) EP (30) Electro (531) Electro Dub (219) Electro Rock (26) Electronic (179) Ethiopiques (14) Experimental (236) Flamenco (15) Folk (180) Funk (238) Glitch (25) Gospel (3) Groove (40) Hard Rock (36) Heavy Metal (2) Heavy Trash (10) Hip Hop (184) IDM (60) Indie (101) Instrumental (158) Jazz (241) Lizz Fields (2) Lounge (39) Minimalist (16) Mix (47) Mod-folk (2) New Jazz (54) Nu-Classic (4) Nu-Jazz (114) Nu-Soul (100) Oi (4) Other (2) Piano (30) Pop (43) Pop Folk (18) Pop Rock (12) Post Punk (5) Post Rock (31) Psychedelic (138) Punk (86) Ragga (44) Rap (103) Rap Fusion (95) Reggae (480) Remix (49) RnB (12) Rock (119) Rumba (18) Salsa (10) Ska (84) Slam (4) Smooth Jazz (4) Soukous (4) Soul (216) Sufi (2) Trip Hop (296) Trip Pop (8) Vocal (18) World (458) concert (200) dub (154) live (214) podcast (8)
显示标签为“Traditional”的博文。显示所有博文
显示标签为“Traditional”的博文。显示所有博文

2011年11月22日星期二

Shivkumar Sharma, Brijbushan Kabra and Hariprasad Chaurasia - Call of the Valley

http://static.rateyourmusic.com/album_images/a3933f04c56f54b495a2745eda8bbacf/421267.jpg

http://www.santoor.com

http://en.wikipedia.org/wiki/Brij_Bhushan_Kabra

http://www.hariprasadchaurasia.com

Origine du Groupe : India

Style : World Music , Traditional India

Sortie : 1995 (1967)



From http://www.amazon.com



"Call of the valley" is to Indian classical music what "Hamlet" is to the English theater or "Mona lisa" is to the European painting - a milestone that is destined to remain the gold- standard
forever. Quite possibly the highest selling album of Indian classical or instrumental album of all time, it is still finding - after three decades - new listeners who find listening to the album
to be one of the most fulfilling experiences of their life. The music is simple. It is profound. It is mesmerizing. It is also revolutionary. On santoor(hammered dulcimer), flute and guitar three
maestros created six simple pieces, about six-seven minutes each, and presented essence of six ragas. They say the theme is romantic. One of the instruments represents the natural ambiance and
the other two represent a man and a woman courting. You may or may not get this but you will understand that this are hymns to mother nature. The beauty is that you don't have to be a
connoisseur, you don't even have to know the first thing about Indian classical music to enjoy this. It simply pulls you in. In fact this is the music that has initiated hundreds of thousands of
young people in India into the Classical music - even if just as a listener. As you learn more about the classical music your pleasure turns into respect for the music that you know took more
evolved individuals than an average person or an average musician to create!












Shivkumar Sharma - santoor

Brijbushan Kabra - acoustic guitar

Hariprasad Chaurasia - flute

Manikrao Popatkar - tabla



Tracklist :

1. Ahir Bhairav, Nat Bhairav

2. Rag Piloo

3. Bhoop

4. Rag Des

5. Rag Pahadi

6. Ghara - Dadra

7. Dhun - Mishra Kirwani

8. Bageshwari

mp3

DOWNLOAD1.gif

DOWNLOAD1.gif

Shivkumar Sharma, Brijbushan Kabra and Hariprasad Chaurasia - Call of the Valley

http://static.rateyourmusic.com/album_images/a3933f04c56f54b495a2745eda8bbacf/421267.jpg

http://www.santoor.com

http://en.wikipedia.org/wiki/Brij_Bhushan_Kabra

http://www.hariprasadchaurasia.com

Origine du Groupe : India

Style : World Music , Traditional India

Sortie : 1995 (1967)



From http://www.amazon.com



"Call of the valley" is to Indian classical music what "Hamlet" is to the English theater or "Mona lisa" is to the European painting - a milestone that is destined to remain the gold- standard
forever. Quite possibly the highest selling album of Indian classical or instrumental album of all time, it is still finding - after three decades - new listeners who find listening to the album
to be one of the most fulfilling experiences of their life. The music is simple. It is profound. It is mesmerizing. It is also revolutionary. On santoor(hammered dulcimer), flute and guitar three
maestros created six simple pieces, about six-seven minutes each, and presented essence of six ragas. They say the theme is romantic. One of the instruments represents the natural ambiance and
the other two represent a man and a woman courting. You may or may not get this but you will understand that this are hymns to mother nature. The beauty is that you don't have to be a
connoisseur, you don't even have to know the first thing about Indian classical music to enjoy this. It simply pulls you in. In fact this is the music that has initiated hundreds of thousands of
young people in India into the Classical music - even if just as a listener. As you learn more about the classical music your pleasure turns into respect for the music that you know took more
evolved individuals than an average person or an average musician to create!












Shivkumar Sharma - santoor

Brijbushan Kabra - acoustic guitar

Hariprasad Chaurasia - flute

Manikrao Popatkar - tabla



Tracklist :

1. Ahir Bhairav, Nat Bhairav

2. Rag Piloo

3. Bhoop

4. Rag Des

5. Rag Pahadi

6. Ghara - Dadra

7. Dhun - Mishra Kirwani

8. Bageshwari

mp3

DOWNLOAD1.gif

DOWNLOAD1.gif

2011年9月2日星期五

Bei Bei - Quiet Your Mind And Listen

http://ecx.images-amazon.com/images/I/51nHZAa-QgL._SL500_AA280_.jpg

http://beibeizheng.com

http://www.myspace.com/beibeizheng

Origine du Groupe : North America , China

Style : World Music , instrumental , Traditional

Sortie : 2006




By Maxwell Berins "Mongol Max"   from http://www.amazon.com



The Gu Zheng is by no means an easy instrument to play, and anyone who can become proficient at it deserves a nod of respect. But it takes a special person like Bei Bei to make the Gu Zheng sing
in voices it has perhaps never sang in before. Bei Bei's technique and mastery leaves the listener breathless! She is as talented as she is pretty, and clearly one of the BEST Gu Zheng players
EVER to sit in front of the instrument. It's almost as if the instrument is playing itself or merely an extension of her body. Her execution is flawless and her musical vocabulary is startling.
Then there is her sensibility with which Bei Bei approaches the Gu Zheng. She is rooted in pure classical Chinese music, but her sense of adventure and urge to make the Gu Zheng sing in new
voices is evident even to a pair of Western ears such as mine which have only faint familiarity with traditional Chinese music.



That said, I do own a few albums of traditional Chinese music that I enjoy listening to, which is more than you can say for most non-Chinese/Western people. And I just MIGHT be willing to go as
far as to say that if you are looking to introduce yourself to traditional Gu Zheng music, Bei Bei's "Quiet Your Mind And Listen" (excellent album title!) is the only CD you'll ever need.



Tracklist :

1. Young Sprout     3:31       

2. Songs from Qian     7:15    

3. Spring of Snowy Mountain     5:52         

4. Sun Shines Over JingGang Mountain     4:55    

5. Moon of Jian Chang     7:18   

6. Kong Hou Yin     10:09    

7. Fisherman's Dusk Song     5:44    

8. Lady LiuQing      4:36

mp3

DOWNLOAD1.gif

Bei Bei - Quiet Your Mind And Listen

http://ecx.images-amazon.com/images/I/51nHZAa-QgL._SL500_AA280_.jpg

http://beibeizheng.com

http://www.myspace.com/beibeizheng

Origine du Groupe : North America , China

Style : World Music , instrumental , Traditional

Sortie : 2006




By Maxwell Berins "Mongol Max"   from http://www.amazon.com



The Gu Zheng is by no means an easy instrument to play, and anyone who can become proficient at it deserves a nod of respect. But it takes a special person like Bei Bei to make the Gu Zheng sing
in voices it has perhaps never sang in before. Bei Bei's technique and mastery leaves the listener breathless! She is as talented as she is pretty, and clearly one of the BEST Gu Zheng players
EVER to sit in front of the instrument. It's almost as if the instrument is playing itself or merely an extension of her body. Her execution is flawless and her musical vocabulary is startling.
Then there is her sensibility with which Bei Bei approaches the Gu Zheng. She is rooted in pure classical Chinese music, but her sense of adventure and urge to make the Gu Zheng sing in new
voices is evident even to a pair of Western ears such as mine which have only faint familiarity with traditional Chinese music.



That said, I do own a few albums of traditional Chinese music that I enjoy listening to, which is more than you can say for most non-Chinese/Western people. And I just MIGHT be willing to go as
far as to say that if you are looking to introduce yourself to traditional Gu Zheng music, Bei Bei's "Quiet Your Mind And Listen" (excellent album title!) is the only CD you'll ever need.



Tracklist :

1. Young Sprout     3:31       

2. Songs from Qian     7:15    

3. Spring of Snowy Mountain     5:52         

4. Sun Shines Over JingGang Mountain     4:55    

5. Moon of Jian Chang     7:18   

6. Kong Hou Yin     10:09    

7. Fisherman's Dusk Song     5:44    

8. Lady LiuQing      4:36

mp3

DOWNLOAD1.gif

2011年8月10日星期三

John Doherty - The floating bow

http://ecx.images-amazon.com/images/I/51T-6RVZ5SL._SL500_AA300_.jpg

http://www.myspace.com/johndoherty19

Origine du Groupe : Ireland

Style : World Music , Traditional , Instrumental , Celtic , Irish Music

Sortie : 2006




From Wikipedia
:




John Doherty (1900 – January 26, 1980) was an Irish folk fiddler.



John Doherty was born in Ardara, County Donegal. He was born in 1900 and came from a famous clan of Irish Travellers who worked as a tinsmiths and horse traders. His birth certificate was
uncovered in recent years, firstly by Professor Alun Evans, and subsequently by researcher Caomhin MacAoidh, allowing confirmation that his date of birth was 1900, rather than 1895, which has
been recorded in error in several publications. His father Mickey 'Mor' Doherty was a fiddler as were a number of his brothers and sisters. Mickey Mor married Mary McConnell, a singer (whose
brothers Alec and Mickey were well-known musicians in south Donegal). Together they had nine children and John was the youngest. In an interview in the 1970s he said that he had to practice in
the barn as a teenager, and was not allowed to play fiddle in the company of his parents until he had mastered "Bonny Kate". He heard recordings of James Scott Skinner and imitated his style. His
brother, also called Mickey, tended to play more in the style of Michael Coleman. Mickey was also recorded, notably on the album "The Gravel Walks".



From the late 40s to the 1970s he was sought out by collectors. "The Floating Bow" contains recordings made between 1968 and 1974 by Professor Evans in the town-land of Glenconwell. This
collection arguably comprises the most extensive collection of his music, and was made when some argue Doherty was at his peak as a musician. He played with much ornamentation, including bowed
and slurred triplets, rolls, 'cuts', mordents (particularly on long 'first-finger' notes), double-stopping (based on standard western music principles, normally highlighting the tonic and third
of a particular chord). Heavily influenced by the uillean piping tradition, he often replicated the sound of the pipes' drones, by either retuning the fiddle to an open tuning ('scordatura'), or
by maintaining the fourth finger on the string below the pitch of the melody. According to Alex Monaghan in the magazine, "The Living Tradition", he was a significant influence on the fiddle
playing of The Chieftains and Altan. Doherty was also a stoty-teller, and some of his tales appear on the liner notes to "The Floating Bow".



Doherty sometimes did not carry a fiddle with him on his travels because he knew that, if needed, he was always likely to be provided with one when he visited "house dances" (folk music parties
hosted by a family in their own house). "The Floating Bow" was played on a borrowed fiddle (owned by Professor Evans). He once travelled to Dublin to play in the Oireachtas Championships. He was
first recorded in 1945 by The Irish Folklore Commission during one of his trips to Teelin in Southwest Donegal and later by the BBC (Peter Kennedy) in Belfast in 1953. 10 of these 1953 recordings
were issued on "Traditional Dance Music of Ireland" (various artists). Kennedy's recordings were later issued in three volumes on the Folktrax label, the first of which was "Pedlar's Pack"
(1964). These recordings are available from Topic Records who now own the copyright. Paddy Glackin first met him in 1965, and was heavily influenced by John. He could probably described as the
last of the travelling fiddlers. He died in Ballyshannon Rock Hospital, County Donegal.

 






Tracklist :

1. The Spirits of Wine and Madame Bonaparte (Reels)

2. The Further in the Deeper (March)

3. An Cháilfhionn and The Flogging Reel (March and Reel)

4. Drops of Brandy (Slip Jig)

5. Miss Patterson's Slipper (Reel)

6. The Day I Listed and The Fantastic Reel (Air and Reel)

7. Willie McLennan's (March)

8. The Lancers Jig and Gusty's Frolics (Double Jig and Slip Jig)

9. Tom Tailor's (Highland)

10. Scots Mary (Reel)

11. The Sligo Maid's Lament and Hand me Down the Tacke (Reels)

12. The Eniskillen Dragoons, Nóra Críonna and Píobaire an Chéideadh (March, Jig and Reel)

13. The Cameronian (Reel)

14. Dúlaman na Binne Buí (Highland)

15. Within a Mile of Dublin and Old Simon's Hornpipe (Reel and Hornpipe)

16. The Glenconwell Hornpipe (Hornpipe)

17. The Mint in the Corn (Reel)

18. The Highlanders and The Wind that Shakes the Barley (March and Reel)

19. Seán sa Cheo (Reel)

20. King George IV (Strathspey)

21. The Lancers Jig and The Silver Slipper (Double Jig and Slip Jig)

22. The Mountain Road (Reel)

23. The Braes of Maas (Highland)

24. Bonnie Kate (Reel)

25. Maidin Fhómhair and Miss McLeod (Air and Reel)

mp3

DOWNLOAD1.gif

John Doherty - The floating bow

http://ecx.images-amazon.com/images/I/51T-6RVZ5SL._SL500_AA300_.jpg

http://www.myspace.com/johndoherty19

Origine du Groupe : Ireland

Style : World Music , Traditional , Instrumental , Celtic , Irish Music

Sortie : 2006




From Wikipedia
:




John Doherty (1900 – January 26, 1980) was an Irish folk fiddler.



John Doherty was born in Ardara, County Donegal. He was born in 1900 and came from a famous clan of Irish Travellers who worked as a tinsmiths and horse traders. His birth certificate was
uncovered in recent years, firstly by Professor Alun Evans, and subsequently by researcher Caomhin MacAoidh, allowing confirmation that his date of birth was 1900, rather than 1895, which has
been recorded in error in several publications. His father Mickey 'Mor' Doherty was a fiddler as were a number of his brothers and sisters. Mickey Mor married Mary McConnell, a singer (whose
brothers Alec and Mickey were well-known musicians in south Donegal). Together they had nine children and John was the youngest. In an interview in the 1970s he said that he had to practice in
the barn as a teenager, and was not allowed to play fiddle in the company of his parents until he had mastered "Bonny Kate". He heard recordings of James Scott Skinner and imitated his style. His
brother, also called Mickey, tended to play more in the style of Michael Coleman. Mickey was also recorded, notably on the album "The Gravel Walks".



From the late 40s to the 1970s he was sought out by collectors. "The Floating Bow" contains recordings made between 1968 and 1974 by Professor Evans in the town-land of Glenconwell. This
collection arguably comprises the most extensive collection of his music, and was made when some argue Doherty was at his peak as a musician. He played with much ornamentation, including bowed
and slurred triplets, rolls, 'cuts', mordents (particularly on long 'first-finger' notes), double-stopping (based on standard western music principles, normally highlighting the tonic and third
of a particular chord). Heavily influenced by the uillean piping tradition, he often replicated the sound of the pipes' drones, by either retuning the fiddle to an open tuning ('scordatura'), or
by maintaining the fourth finger on the string below the pitch of the melody. According to Alex Monaghan in the magazine, "The Living Tradition", he was a significant influence on the fiddle
playing of The Chieftains and Altan. Doherty was also a stoty-teller, and some of his tales appear on the liner notes to "The Floating Bow".



Doherty sometimes did not carry a fiddle with him on his travels because he knew that, if needed, he was always likely to be provided with one when he visited "house dances" (folk music parties
hosted by a family in their own house). "The Floating Bow" was played on a borrowed fiddle (owned by Professor Evans). He once travelled to Dublin to play in the Oireachtas Championships. He was
first recorded in 1945 by The Irish Folklore Commission during one of his trips to Teelin in Southwest Donegal and later by the BBC (Peter Kennedy) in Belfast in 1953. 10 of these 1953 recordings
were issued on "Traditional Dance Music of Ireland" (various artists). Kennedy's recordings were later issued in three volumes on the Folktrax label, the first of which was "Pedlar's Pack"
(1964). These recordings are available from Topic Records who now own the copyright. Paddy Glackin first met him in 1965, and was heavily influenced by John. He could probably described as the
last of the travelling fiddlers. He died in Ballyshannon Rock Hospital, County Donegal.

 






Tracklist :

1. The Spirits of Wine and Madame Bonaparte (Reels)

2. The Further in the Deeper (March)

3. An Cháilfhionn and The Flogging Reel (March and Reel)

4. Drops of Brandy (Slip Jig)

5. Miss Patterson's Slipper (Reel)

6. The Day I Listed and The Fantastic Reel (Air and Reel)

7. Willie McLennan's (March)

8. The Lancers Jig and Gusty's Frolics (Double Jig and Slip Jig)

9. Tom Tailor's (Highland)

10. Scots Mary (Reel)

11. The Sligo Maid's Lament and Hand me Down the Tacke (Reels)

12. The Eniskillen Dragoons, Nóra Críonna and Píobaire an Chéideadh (March, Jig and Reel)

13. The Cameronian (Reel)

14. Dúlaman na Binne Buí (Highland)

15. Within a Mile of Dublin and Old Simon's Hornpipe (Reel and Hornpipe)

16. The Glenconwell Hornpipe (Hornpipe)

17. The Mint in the Corn (Reel)

18. The Highlanders and The Wind that Shakes the Barley (March and Reel)

19. Seán sa Cheo (Reel)

20. King George IV (Strathspey)

21. The Lancers Jig and The Silver Slipper (Double Jig and Slip Jig)

22. The Mountain Road (Reel)

23. The Braes of Maas (Highland)

24. Bonnie Kate (Reel)

25. Maidin Fhómhair and Miss McLeod (Air and Reel)

mp3

DOWNLOAD1.gif