Icon Shoutcast Network 2.0 DJ DemonAngel icon Mix play music-logo
ipod-icon.png http://www.d-toolsblog.com/wp-content/uploads/2010/02/URC-toolbox-logo.jpg logo-myspace.jpghttp://www.numerama.com/media/attach/facebook-icon.png

翻译此博客 :

标签

8 bits (16) Abstract Hip Hop (477) Acid jazz (55) Afrobeat (57) Alternative (548) Alternative Fusion (302) Alternative Rock (271) Ambient (237) Avant Garde (2) Blues (200) Chillout (12) Classique (4) DJ (79) Dancehall (32) Downtempo (252) Drum and Bass (29) EP (30) Electro (531) Electro Dub (219) Electro Rock (26) Electronic (179) Ethiopiques (14) Experimental (236) Flamenco (15) Folk (180) Funk (238) Glitch (25) Gospel (3) Groove (40) Hard Rock (36) Heavy Metal (2) Heavy Trash (10) Hip Hop (184) IDM (60) Indie (101) Instrumental (158) Jazz (241) Lizz Fields (2) Lounge (39) Minimalist (16) Mix (47) Mod-folk (2) New Jazz (54) Nu-Classic (4) Nu-Jazz (114) Nu-Soul (100) Oi (4) Other (2) Piano (30) Pop (43) Pop Folk (18) Pop Rock (12) Post Punk (5) Post Rock (31) Psychedelic (138) Punk (86) Ragga (44) Rap (103) Rap Fusion (95) Reggae (480) Remix (49) RnB (12) Rock (119) Rumba (18) Salsa (10) Ska (84) Slam (4) Smooth Jazz (4) Soukous (4) Soul (216) Sufi (2) Trip Hop (296) Trip Pop (8) Vocal (18) World (458) concert (200) dub (154) live (214) podcast (8)
显示标签为“Bill Laswell”的博文。显示所有博文
显示标签为“Bill Laswell”的博文。显示所有博文

2011年1月28日星期五

Bill Laswell - Outer Black

http://img12.nnm.ru/0/5/1/4/2/051425a72eb3ac9f1136c88b2128656a_full.jpg

http://www.sacreddub.com

Origine du Groupe : North America

Style : Electro , Ambient , Experimental

Sortie : 1994



From http://itunes.apple.com   Album Review



Outer Dark displays Bill Laswell's penchant for working out compositional ideas at great length, breaking the 20-minute barrier on both of the album's instrumental pieces. Entirely a studio
creation, the music is the result of Laswell's (sounds) collaboration with Robert Musso (engineering, treatments) at Brooklyn, NY's Greenpoint Studios. The duo attempts to shape a composition out
of the dark ether on the opening "Chakra." It begins with a buzzing sitar drone (providing the Eastern flavor common in Laswell's music) and strummed guitar emerging from the murk. Disappearing
and returning throughout, the elements take on a sort of dizzying paranoia at song's end through their repetition. As for the ether itself, the musical backdrop is a drift of throbbing, amorphous
ambience comprised of mildly chilling keyboard washes and tube-like breezes. It's intriguing as atmosphere, but little else. "Ananta (Passing Dream)" is more interesting if only because of its
rhythm element. The compositional approach is roughly the same as a buzzing, wiry beat spends a good deal of the track trying to find a point of entry in a similar setting. Released on Germany's
Fax label, Outer Dark is like the sound of the universe's pulsations: music for the formation of heavenly bodies. Unconcerned with conventional development, it's forced to find a source of power
amidst the ambience. While the explorations contain enough substance for Laswell's serious fans, the music ultimately lacks the sort of muscle inherent in his best work.



Tracklist :

01 Chakra 24:14

02 Ananta (Passing Dream) 23:31

mp3

Bill Laswell - Outer Black

http://img12.nnm.ru/0/5/1/4/2/051425a72eb3ac9f1136c88b2128656a_full.jpg

http://www.sacreddub.com

Origine du Groupe : North America

Style : Electro , Ambient , Experimental

Sortie : 1994



From http://itunes.apple.com   Album Review



Outer Dark displays Bill Laswell's penchant for working out compositional ideas at great length, breaking the 20-minute barrier on both of the album's instrumental pieces. Entirely a studio
creation, the music is the result of Laswell's (sounds) collaboration with Robert Musso (engineering, treatments) at Brooklyn, NY's Greenpoint Studios. The duo attempts to shape a composition out
of the dark ether on the opening "Chakra." It begins with a buzzing sitar drone (providing the Eastern flavor common in Laswell's music) and strummed guitar emerging from the murk. Disappearing
and returning throughout, the elements take on a sort of dizzying paranoia at song's end through their repetition. As for the ether itself, the musical backdrop is a drift of throbbing, amorphous
ambience comprised of mildly chilling keyboard washes and tube-like breezes. It's intriguing as atmosphere, but little else. "Ananta (Passing Dream)" is more interesting if only because of its
rhythm element. The compositional approach is roughly the same as a buzzing, wiry beat spends a good deal of the track trying to find a point of entry in a similar setting. Released on Germany's
Fax label, Outer Dark is like the sound of the universe's pulsations: music for the formation of heavenly bodies. Unconcerned with conventional development, it's forced to find a source of power
amidst the ambience. While the explorations contain enough substance for Laswell's serious fans, the music ultimately lacks the sort of muscle inherent in his best work.



Tracklist :

01 Chakra 24:14

02 Ananta (Passing Dream) 23:31

mp3

2010年4月7日星期三

Bill Laswell & Sussan Deyhim - Shy Angels

http://3.bp.blogspot.com/_IyDZgXq8QH0/SAGoMMRD8qI/AAAAAAAABDg/6aecdp2NmNQ/s320/front.jpg

Note :

 

http://www.myspace.com/billlaswell

http://www.sussandeyhim.com

http://www.myspace.com/sussandeyhim

 

Sortie : 2002

Style : Electro Dub , Downtempo , World , Alternative Fusion , Ambient , Electroacoustic

 

Tracklist :

1. the candle and the moth (5:42)
2. bade saba (11:33)
3. daylaman (4:12)
4. meykhaneh (5:24)
5. navai (5:18)
6. negara (4:18)
7. gereyley (6:46)
8. hamcho farhad (2:15)

 

original musicians:
richard horowitz - strings & sample arrangement on #2
reggie workman - acoustic bass
reza derakhshani - tar, setar, kamanche, ney
dawn avery - cello
glen velez - daf
hearn gadbois - zarb
michael harrison - tamboura

additional musicians:
abegasu shiota - electric piano
karsh kale - drums, tabla, programming
bill laswell - bass, synthesizer
zakir hussain - tabla
hamid drake - drums, tabla
aiyb dieng - chatan
abdou mboup - percussion

DOWNLOAD1.gif

 


 

Reconstruction and mix translation of Sussan's masterwork "Madman Of God" by the legendary musical pioneer, Bill Laswell.
"Shy Angels" is Bill Laswell's reinterpretation of the entire "Madman of God" album, in which Sussan Deyhim presents her uniquely personal reading of divine love poems by Rumi, Saadi and other Persian Sufi masters.

 

Bill Lashell has taken Sussan Heyhim's brilliant Madman of God album, pushed the finally crafted traditional instrumentation down in the mix, and slapped on top a naff disco drum beat with no sensitivity to the rhythmical comlpexities of the original music and singing. The result is a travisty. Worse still, record stores now only seem to stock this monstrosity, and not the original version. Nevertheless, I urge you to steer well clear of this cd and search out the original.

by John

permalink

Bill Laswell & Sussan Deyhim - Shy Angels

http://3.bp.blogspot.com/_IyDZgXq8QH0/SAGoMMRD8qI/AAAAAAAABDg/6aecdp2NmNQ/s320/front.jpg

Note :

 

http://www.myspace.com/billlaswell

http://www.sussandeyhim.com

http://www.myspace.com/sussandeyhim

 

Sortie : 2002

Style : Electro Dub , Downtempo , World , Alternative Fusion , Ambient , Electroacoustic

 

Tracklist :

1. the candle and the moth (5:42)
2. bade saba (11:33)
3. daylaman (4:12)
4. meykhaneh (5:24)
5. navai (5:18)
6. negara (4:18)
7. gereyley (6:46)
8. hamcho farhad (2:15)

 

original musicians:
richard horowitz - strings & sample arrangement on #2
reggie workman - acoustic bass
reza derakhshani - tar, setar, kamanche, ney
dawn avery - cello
glen velez - daf
hearn gadbois - zarb
michael harrison - tamboura

additional musicians:
abegasu shiota - electric piano
karsh kale - drums, tabla, programming
bill laswell - bass, synthesizer
zakir hussain - tabla
hamid drake - drums, tabla
aiyb dieng - chatan
abdou mboup - percussion

DOWNLOAD1.gif

 


 

Reconstruction and mix translation of Sussan's masterwork "Madman Of God" by the legendary musical pioneer, Bill Laswell.
"Shy Angels" is Bill Laswell's reinterpretation of the entire "Madman of God" album, in which Sussan Deyhim presents her uniquely personal reading of divine love poems by Rumi, Saadi and other Persian Sufi masters.

 

Bill Lashell has taken Sussan Heyhim's brilliant Madman of God album, pushed the finally crafted traditional instrumentation down in the mix, and slapped on top a naff disco drum beat with no sensitivity to the rhythmical comlpexities of the original music and singing. The result is a travisty. Worse still, record stores now only seem to stock this monstrosity, and not the original version. Nevertheless, I urge you to steer well clear of this cd and search out the original.

by John

permalink