Skyy - Skyy

http://en.wikipedia.org/wiki/Skyy





Origine du Groupe : North America

Style : Disco , Funk

Sortie : 1979

 

Wikipedia :

The seeds for Skyy were sown in Brooklyn, New York in 1973, when sisters Denise, Delores, and Bonne Dunning first met musician Solomon Roberts, Jr. The record producer/keyboardist Randy Muller (who was also a member Brass Construction and an arranger for B.T. Express) soon became involved with the project. By 1976, the Skyy lineup of the three Dunning sisters as vocalists, Roberts as the male vocalist/guitarist, Anibal Anthony Sierra on guitars and keyboards, Larry Greenberg on keyboards, Gerald Lebon on bass, and Tommy McConnell on drums had solidified.

In the late 1970s, Skyy signed to Salsoul Records. After several albums that saw moderate success in the R&B market, the group crossed over to the mainstream in a big way with the release of the Skyy Line album in late 1981. Featured on this album was the single "Call Me," which gave the group their first (and only, to date) top 40 hit on the pop charts, peaking at #26 in 1982. It also became the first of several #1 R&B hits for Skyy. Meanwhile, the group continued to record for the Salsoul label up through the release of their 1984 Inner City album (Salsoul would fold in 1985), scoring several additional hits on the R&B chart during that time.

In the mid-1980s, the group signed with Capitol Records and released their next album, From the Left Side in 1986. Apart from the top ten R&B single, "Givin' It (to You)," the album saw limited success, and the group left Capitol soon thereafter.

Things were looking rather bleak for the band by the late 1980s. However, after signing to Atlantic Records, Skyy launched a major comeback in 1989 with the release of their successful Start of a Romance album. This release spun off two #1 R&B singles, with both the title track ("Start of a Romance") and the Quiet Storm classic, "Real Love" claiming the top spot. "Real Love" also became the group's second and final crossover pop hit peaking at #47 on the Billboard Hot 100 chart in early 1990. The second single released from the album (between the title track and "Real Love"), "Love All the Way" also cracked the R&B top 50. By the release of the Nearer to You album in 1992, the hits had again dried up, and the band has not released a new studio album since then.


Tracklist :
01. This Groove Is Bad - (Solomon Roberts, Jr.) 6:20
02. First Time Around - (Randy Muller) 6:37
03. Lets Turn It Out - (Randy Muller) 6:37
04. Fallin' In Love Again - (Solomon Roberts, Jr.) 4:51
05. Stand By Me - (Solomon Roberts, Jr.) 5:04
06. Disco Dancin' - (Randy Muller) 4:12
07. Lets Get Up (S-k-y-y) - (Solomon Roberts, Jr.) 5:17
08. First Time Around (Remix) - (Randy Muller) 7:29
09. First Time Around (Disco Mix) - (Randy Muller) 9:02
10. First Time Around (Special Remix) - (Randy Muller) 6:30

Skyy - Skyy

http://en.wikipedia.org/wiki/Skyy





Origine du Groupe : North America

Style : Disco , Funk

Sortie : 1979

 

Wikipedia :

The seeds for Skyy were sown in Brooklyn, New York in 1973, when sisters Denise, Delores, and Bonne Dunning first met musician Solomon Roberts, Jr. The record producer/keyboardist Randy Muller (who was also a member Brass Construction and an arranger for B.T. Express) soon became involved with the project. By 1976, the Skyy lineup of the three Dunning sisters as vocalists, Roberts as the male vocalist/guitarist, Anibal Anthony Sierra on guitars and keyboards, Larry Greenberg on keyboards, Gerald Lebon on bass, and Tommy McConnell on drums had solidified.

In the late 1970s, Skyy signed to Salsoul Records. After several albums that saw moderate success in the R&B market, the group crossed over to the mainstream in a big way with the release of the Skyy Line album in late 1981. Featured on this album was the single "Call Me," which gave the group their first (and only, to date) top 40 hit on the pop charts, peaking at #26 in 1982. It also became the first of several #1 R&B hits for Skyy. Meanwhile, the group continued to record for the Salsoul label up through the release of their 1984 Inner City album (Salsoul would fold in 1985), scoring several additional hits on the R&B chart during that time.

In the mid-1980s, the group signed with Capitol Records and released their next album, From the Left Side in 1986. Apart from the top ten R&B single, "Givin' It (to You)," the album saw limited success, and the group left Capitol soon thereafter.

Things were looking rather bleak for the band by the late 1980s. However, after signing to Atlantic Records, Skyy launched a major comeback in 1989 with the release of their successful Start of a Romance album. This release spun off two #1 R&B singles, with both the title track ("Start of a Romance") and the Quiet Storm classic, "Real Love" claiming the top spot. "Real Love" also became the group's second and final crossover pop hit peaking at #47 on the Billboard Hot 100 chart in early 1990. The second single released from the album (between the title track and "Real Love"), "Love All the Way" also cracked the R&B top 50. By the release of the Nearer to You album in 1992, the hits had again dried up, and the band has not released a new studio album since then.


Tracklist :
01. This Groove Is Bad - (Solomon Roberts, Jr.) 6:20
02. First Time Around - (Randy Muller) 6:37
03. Lets Turn It Out - (Randy Muller) 6:37
04. Fallin' In Love Again - (Solomon Roberts, Jr.) 4:51
05. Stand By Me - (Solomon Roberts, Jr.) 5:04
06. Disco Dancin' - (Randy Muller) 4:12
07. Lets Get Up (S-k-y-y) - (Solomon Roberts, Jr.) 5:17
08. First Time Around (Remix) - (Randy Muller) 7:29
09. First Time Around (Disco Mix) - (Randy Muller) 9:02
10. First Time Around (Special Remix) - (Randy Muller) 6:30

Shakatak - Invitations

http://www.shakatak.com





Origine du Groupe : U.K

Style : Jazz Funk , Disco

Sortie : 1982





By Mike Stone (Notorious) from http://mikestonemusic.blogspot.com



The album cover may look sort of spooky & mysterious (Gives me the creeps, sometimes, but what a great-looking model), but as the saying goes, you can never judge a book by its cover. This
1982 Polydor/PolyGram release by Shakatak was one of the group's best R&B/Jazz recordings at that time.



Most of you may remember the songs, "Lose Myself", and "Lonely Afternoon", which features the sultry, sexy vocals of Tracie Ackerman (some thought it was Jill Saward singing on the track, but she
is with the group at this time of recording). They are the actual tracks on this album, so you can stop worrying about this album being another fabrication of "Night Birds" replacing the actual
song that was supposed to be there. In fact, "Night Birds & "Invitations" did come out the same year in 1982. That's primarily the reason why some Shakatak fans felt confused on what year
these two albums came out(?).





Tracklist :

1. Invitations

2. Lose Myself

3. Lonely Afternoon

4. Steppin' Out

5. Stranger

6. Usual Situation

7. Sol Fuego

8. In Shadows

9. Invitations (Remix) BONUS TRACK

Shakatak - Invitations

http://www.shakatak.com





Origine du Groupe : U.K

Style : Jazz Funk , Disco

Sortie : 1982





By Mike Stone (Notorious) from http://mikestonemusic.blogspot.com



The album cover may look sort of spooky & mysterious (Gives me the creeps, sometimes, but what a great-looking model), but as the saying goes, you can never judge a book by its cover. This
1982 Polydor/PolyGram release by Shakatak was one of the group's best R&B/Jazz recordings at that time.



Most of you may remember the songs, "Lose Myself", and "Lonely Afternoon", which features the sultry, sexy vocals of Tracie Ackerman (some thought it was Jill Saward singing on the track, but she
is with the group at this time of recording). They are the actual tracks on this album, so you can stop worrying about this album being another fabrication of "Night Birds" replacing the actual
song that was supposed to be there. In fact, "Night Birds & "Invitations" did come out the same year in 1982. That's primarily the reason why some Shakatak fans felt confused on what year
these two albums came out(?).





Tracklist :

1. Invitations

2. Lose Myself

3. Lonely Afternoon

4. Steppin' Out

5. Stranger

6. Usual Situation

7. Sol Fuego

8. In Shadows

9. Invitations (Remix) BONUS TRACK

Los Amigos Invisibles - New Sound Of The Venezuelan Gozadera

http://beta.amigosinvisibles.com

http://www.myspace.com/losamigosinvisibles

Origine du Groupe : Venezuela , North America

Style : Funk , Soul , Groove , Disco , Acid Jazz , Latin Music

Sortie : 1998

By Ramiro Burr  from http://www.amazon.com



Fresh, irreverent, and vigorous, Amigos Invisibles defy categorization. The band's base is rock en español with party attitude fueled by world-party verve. "Ultra-Funk" and "Mi Linda" throw the
first hard punches with the message--this is dance-party music, mister, no milquetoasts allowed. Hard funk, rippling percussion, lounge licks, and more all come together nicely. There are even
bossa nova grooves on the mellow "Las Lycras del Avila" and '70s funk rhythms on "Cachete a Cachete." The Venezuelan sextet breaks down barriers on the industry's maniacal need to pigeonhole
music with this amalgam of rhythms, but the CD is easy listening. Charming, even after a dozen spins.

 

Tracklist :       

01- Güelcome

02- Ultra - Funk

03- Mi Linda

04- Sexy

05- Las Lycras Del Avila

06- Groupie

07- Otra Vez

08- Cachete A Cachete

09- Balada De Chusy

10- Asomacho

11- Ponerte En Cuatro

12- Mango Cool

13- Nerio Compra Contestadora

14- Quiero Desintegrar A Tu Novio

15- El Disco Anal

16- No Me Pagan

17- Cha - Chaborro

18- Aldemaro En Su Camaro

19- The New Sound Of The Venezuelan Gozadera

Los Amigos Invisibles - New Sound Of The Venezuelan Gozadera

http://beta.amigosinvisibles.com

http://www.myspace.com/losamigosinvisibles

Origine du Groupe : Venezuela , North America

Style : Funk , Soul , Groove , Disco , Acid Jazz , Latin Music

Sortie : 1998

By Ramiro Burr  from http://www.amazon.com



Fresh, irreverent, and vigorous, Amigos Invisibles defy categorization. The band's base is rock en español with party attitude fueled by world-party verve. "Ultra-Funk" and "Mi Linda" throw the
first hard punches with the message--this is dance-party music, mister, no milquetoasts allowed. Hard funk, rippling percussion, lounge licks, and more all come together nicely. There are even
bossa nova grooves on the mellow "Las Lycras del Avila" and '70s funk rhythms on "Cachete a Cachete." The Venezuelan sextet breaks down barriers on the industry's maniacal need to pigeonhole
music with this amalgam of rhythms, but the CD is easy listening. Charming, even after a dozen spins.

 

Tracklist :       

01- Güelcome

02- Ultra - Funk

03- Mi Linda

04- Sexy

05- Las Lycras Del Avila

06- Groupie

07- Otra Vez

08- Cachete A Cachete

09- Balada De Chusy

10- Asomacho

11- Ponerte En Cuatro

12- Mango Cool

13- Nerio Compra Contestadora

14- Quiero Desintegrar A Tu Novio

15- El Disco Anal

16- No Me Pagan

17- Cha - Chaborro

18- Aldemaro En Su Camaro

19- The New Sound Of The Venezuelan Gozadera

Soundpool - Mirrors In Your Eyes

http://soundpoolmusic.com

http://www.myspace.com/soundpool

Origine du Groupe : North America

Style : Electro Disco House , Shoegaze , Psychedelic

Sortie : 2010

NEWS !!! NOW DESKTOPIFY THIS PLAYER HERE

t’s pretty amazing that a music scene as short-lived and ill-defined as “shoegaze” could have such a lasting effect. Named, to the bands’ chagrin, for the disinterested way they would look down
at their feet while playing, the “shoegazers” created ethereal, often majestic sounds by camouflaging their guitars with layers of effects until they sounded more like synthesizers.



The style had its roots going back to texturalists like Brian Eno and Robert Fripp, and was more directly influenced by boundary-pushing indie pop bands like Felt, Cocteau Twins, Kitchens of
Distinction, and the Jesus and Mary Chain. The British “indie dance” craze of the early 1990s gave the shoegazers a ticket to brief stardom, in the UK at least. The sculpted guitar haze worked
surprisingly well with the then-prevalent shuffle rhythms. You could count the major shoegaze bands, all of them British, on one hand. Ride, Slowdive, Lush, and Chapterhouse are the usual
suspects, though there were others, some lumped in erroneously because the critics had nothing better to do. When the Happy Mondays and Jesus Jones faded from public favor, the shoegazers
followed. The scene was dead faster than you could say “Britpop”.



Yet it never exactly died. The original bands split up, but others started to spring up in the mid-1990s. Curiously, many were American. There seemed to be a consistent audience for bands that
inverted the guitar noise of hard rock and turned it into something pretty and ponderous. The rise of electronic dance music gave these bands a new platform for their effects racks and reverb.
And that’s pretty much where things stand, 15 years later.



The New York band Soundpool have been compared to Slowdive, but that really wasn’t fair. On the evidence of their first two albums, Soundpool simply weren’t nearly as good as that. You can’t just
take a mysterious, pretty girl with a pretty voice, add those guitars, and end up with something substantial. Yes, you still have to have songs. And few of Soundpool’s made a lasting
impression.



With Mirrors in Your Eyes, Soundpool have decided to emphasize the disco beats that have always been an element of their music. A good, clean beat that you can dance to can cover a lot of
songwriting shortcomings, but leaders John Ceparano and Kim Field have improved in that area, too. This is still mostly in-one-ear-out-the-other stuff, but it provides a pleasurable, danceable
experience while it’s there. Mirrors in Your Eyes is a very cool-sounding album, and that goes a long way. It could have come out ten years ago, or 15 years ago. Whether that’s a compliment
depends on your perspective.



A crucial key to Mirrors in Your Eyes is that the electronic rhythms work. They’re crisp, sharp, and well-produced, retro rather than dated. Soundpool have gone all-in with the dance thing, too.
These are big, club-ready beats, and better for it. The title track opens the album with a blast of filtered noise and what sounds like an actual synth, before the beat and a surprisingly funky
disco bassline kick in. Field’s thin but beguiling voice slots in beneath the barrage, just where you’d expect it. This is the formula from which Soundpool work for the rest of the album, and
most of the time it succeeds.



The centerpiece is “Makes No Sense”, which finds the all the album’s strongest elements coming together in one three-minute capsule of bliss. With a pounding four-on-the-floor rhythm, acid
bassline, melancholy synths, and interplanetary guitars, the song sounds like someone held up a tape recorder in the middle of a packed club in 1992 while Saint Etienne was blaring. In other
words, glorious. Elsewhere, “Kite of Love” and “Listen” work a more jazzy vibe, while “I’m So Tired” spins out into space in almost gothic fashion.



Inevitably, Mirrors in Your Eyes begins to suffer from some the tracks’ similar template. Some songs go on too long, lost in their own haze. But the only real dud is the limp Jesus and Mary Chain
redux, where Ceparano takes over the vocals. Otherwise, Soundpool’s dancefloor excursion makes a pretty good case for shoegaze’s longevity.



by  John Bergstrom

permalink

Tracklist :

01. Mirrors In Your Eyes

02. But It's So

03. Kite of Love

04. Makes No Sense

05. Sparkle in the Dark

06. I'm So Tired

07. That Sunny Day

08. Shelter

09. Listen

 

Soundpool - Mirrors In Your Eyes

http://soundpoolmusic.com

http://www.myspace.com/soundpool

Origine du Groupe : North America

Style : Electro Disco House , Shoegaze , Psychedelic

Sortie : 2010

NEWS !!! NOW DESKTOPIFY THIS PLAYER HERE

t’s pretty amazing that a music scene as short-lived and ill-defined as “shoegaze” could have such a lasting effect. Named, to the bands’ chagrin, for the disinterested way they would look down
at their feet while playing, the “shoegazers” created ethereal, often majestic sounds by camouflaging their guitars with layers of effects until they sounded more like synthesizers.



The style had its roots going back to texturalists like Brian Eno and Robert Fripp, and was more directly influenced by boundary-pushing indie pop bands like Felt, Cocteau Twins, Kitchens of
Distinction, and the Jesus and Mary Chain. The British “indie dance” craze of the early 1990s gave the shoegazers a ticket to brief stardom, in the UK at least. The sculpted guitar haze worked
surprisingly well with the then-prevalent shuffle rhythms. You could count the major shoegaze bands, all of them British, on one hand. Ride, Slowdive, Lush, and Chapterhouse are the usual
suspects, though there were others, some lumped in erroneously because the critics had nothing better to do. When the Happy Mondays and Jesus Jones faded from public favor, the shoegazers
followed. The scene was dead faster than you could say “Britpop”.



Yet it never exactly died. The original bands split up, but others started to spring up in the mid-1990s. Curiously, many were American. There seemed to be a consistent audience for bands that
inverted the guitar noise of hard rock and turned it into something pretty and ponderous. The rise of electronic dance music gave these bands a new platform for their effects racks and reverb.
And that’s pretty much where things stand, 15 years later.



The New York band Soundpool have been compared to Slowdive, but that really wasn’t fair. On the evidence of their first two albums, Soundpool simply weren’t nearly as good as that. You can’t just
take a mysterious, pretty girl with a pretty voice, add those guitars, and end up with something substantial. Yes, you still have to have songs. And few of Soundpool’s made a lasting
impression.



With Mirrors in Your Eyes, Soundpool have decided to emphasize the disco beats that have always been an element of their music. A good, clean beat that you can dance to can cover a lot of
songwriting shortcomings, but leaders John Ceparano and Kim Field have improved in that area, too. This is still mostly in-one-ear-out-the-other stuff, but it provides a pleasurable, danceable
experience while it’s there. Mirrors in Your Eyes is a very cool-sounding album, and that goes a long way. It could have come out ten years ago, or 15 years ago. Whether that’s a compliment
depends on your perspective.



A crucial key to Mirrors in Your Eyes is that the electronic rhythms work. They’re crisp, sharp, and well-produced, retro rather than dated. Soundpool have gone all-in with the dance thing, too.
These are big, club-ready beats, and better for it. The title track opens the album with a blast of filtered noise and what sounds like an actual synth, before the beat and a surprisingly funky
disco bassline kick in. Field’s thin but beguiling voice slots in beneath the barrage, just where you’d expect it. This is the formula from which Soundpool work for the rest of the album, and
most of the time it succeeds.



The centerpiece is “Makes No Sense”, which finds the all the album’s strongest elements coming together in one three-minute capsule of bliss. With a pounding four-on-the-floor rhythm, acid
bassline, melancholy synths, and interplanetary guitars, the song sounds like someone held up a tape recorder in the middle of a packed club in 1992 while Saint Etienne was blaring. In other
words, glorious. Elsewhere, “Kite of Love” and “Listen” work a more jazzy vibe, while “I’m So Tired” spins out into space in almost gothic fashion.



Inevitably, Mirrors in Your Eyes begins to suffer from some the tracks’ similar template. Some songs go on too long, lost in their own haze. But the only real dud is the limp Jesus and Mary Chain
redux, where Ceparano takes over the vocals. Otherwise, Soundpool’s dancefloor excursion makes a pretty good case for shoegaze’s longevity.



by  John Bergstrom

permalink

Tracklist :

01. Mirrors In Your Eyes

02. But It's So

03. Kite of Love

04. Makes No Sense

05. Sparkle in the Dark

06. I'm So Tired

07. That Sunny Day

08. Shelter

09. Listen

 

Chromeo - Business Casual

http://www.chromeo.net

http://www.myspace.com/chromeo

Origine du Groupe : Canada , North America

Style : Electro-Disco , Pop

Sortie : 2010

On n’a pas si souvent que ça l’occasion de baisser les vitres de la 309 GTI ,de mettre l’autoradio à fond et de faire cracher le boomer en écoutant un bon vieux disque de dance music. L’occasion
nous en est donnée avec le troisième album de Chromeo  qui se présente, tout simplement, comme le disque le plus fun de la rentrée 2010 !

Composé de deux canadiens, Chromeo joue une musique electro funk disco retro, assez irrésistible, comme a pu l’être en son temps celle des Rythmes Digitales sur l’album Dark dancer, ou encore
l’electro pop régressive et jouissive du moins connus, mais non moins fameux, DMX Krew.

Après un fameux "DJ Kicks" paru en 2009, dans lequel le duo "Dave 1 + Pee Thug" faisait valoir ses références disco 80’s, Chromeo revient dans les mêmes dispositions avec un album produit cette
fois par Zdar, alors que les deux précédentes l’avaient été par Tiga.

Guitares Rock FM, rythmes disco endiablés, synthés vintage, refrains et gimmicks hits des clubs estampillé 1985, le duo s’amuse comme un fou avec les clichés 80 ‘s et persiste dans un genre où il
est passé maitre, à savoir l’art du recyclage toujours à la limite du mauvais gout. Mais justement, leur grande force est de ne jamais sombrer dans le mauvais gout et de toujours trouver le
parfait équilibre pour que leur musique reste parfaitement écoutable et digeste de bout en bout. Résultat on écoutera "Business Casual" en boucle encore pendant une paire de jours.



par Pop Revue Express

permalink

Don't Turn The Lights On from Chromeo1

 

 

Chromeo "Night By Night" Video from GreenLabelSound

 

Tracklist :

01. Hot Mess (3:39)

02. I’m Not Contagious (3:39)

03. Night By Night (3:44)

04. Don’t Turn The Lights On (4:33)

05. You Make It Rough (7:19)

06. When The Night Falls (Feat. Solange) (3:31)

07. CDon’t Walk Away (3:30)

08. J’ai Claque La Porte (2:25)

09. The Right Type (3:54)

10. Grow Up (3:01)

 

Chromeo - Business Casual

http://www.chromeo.net

http://www.myspace.com/chromeo

Origine du Groupe : Canada , North America

Style : Electro-Disco , Pop

Sortie : 2010

On n’a pas si souvent que ça l’occasion de baisser les vitres de la 309 GTI ,de mettre l’autoradio à fond et de faire cracher le boomer en écoutant un bon vieux disque de dance music. L’occasion
nous en est donnée avec le troisième album de Chromeo  qui se présente, tout simplement, comme le disque le plus fun de la rentrée 2010 !

Composé de deux canadiens, Chromeo joue une musique electro funk disco retro, assez irrésistible, comme a pu l’être en son temps celle des Rythmes Digitales sur l’album Dark dancer, ou encore
l’electro pop régressive et jouissive du moins connus, mais non moins fameux, DMX Krew.

Après un fameux "DJ Kicks" paru en 2009, dans lequel le duo "Dave 1 + Pee Thug" faisait valoir ses références disco 80’s, Chromeo revient dans les mêmes dispositions avec un album produit cette
fois par Zdar, alors que les deux précédentes l’avaient été par Tiga.

Guitares Rock FM, rythmes disco endiablés, synthés vintage, refrains et gimmicks hits des clubs estampillé 1985, le duo s’amuse comme un fou avec les clichés 80 ‘s et persiste dans un genre où il
est passé maitre, à savoir l’art du recyclage toujours à la limite du mauvais gout. Mais justement, leur grande force est de ne jamais sombrer dans le mauvais gout et de toujours trouver le
parfait équilibre pour que leur musique reste parfaitement écoutable et digeste de bout en bout. Résultat on écoutera "Business Casual" en boucle encore pendant une paire de jours.



par Pop Revue Express

permalink

Don't Turn The Lights On from Chromeo1

 

 

Chromeo "Night By Night" Video from GreenLabelSound

 

Tracklist :

01. Hot Mess (3:39)

02. I’m Not Contagious (3:39)

03. Night By Night (3:44)

04. Don’t Turn The Lights On (4:33)

05. You Make It Rough (7:19)

06. When The Night Falls (Feat. Solange) (3:31)

07. CDon’t Walk Away (3:30)

08. J’ai Claque La Porte (2:25)

09. The Right Type (3:54)

10. Grow Up (3:01)

 

!!! (Chk Chk Chk) - Strange Weather, Isn't It ?

Note :

http://www.chkchkchk.net

http://www.myspace.com/chkchkchk

Origine du Groupe : North America

Style : Electro Disco Punk Psychedelic

Sortie : 2010

 !!! (chk chk chk) est une exception sur l'échiquier warpien mais !!! est une exception tout court. Comment réussir à cataloguer un groupe dont la musique n'arrive jamais à se figer ? Si
Warp  a mis la main sur le groupe, ce n'était pas dans un délire d'ouverture au rock mais plutôt dans l'idée de démontrer que ce genre peut parfois exploser dans tous les sens.



!!! du disco-punk ? Trop réducteur. De l'électro-funk ? Trop synthétique. !!! n'est rien d'autre qu'une partouze musicale ayant pour unique but de vous faire bouger le cul comme Funkadelic en son
temps.



Depuis Myth Takes en 2007, le groupe a subit des contrecoups : mort de son batteur Jerry Fuchs, départ du bassiste Justin Van Der Volgen ainsi que du guitariste Tyler Pope. C'est désormais le
chanteur Nic Offer qui mène la troupe de déglingués. Car !!! prend toute sa mesure en live et devient alors, modestement, une des plus grosses machines à danser qui puisse exister. Le leader
donne de son corps comme personne. J'ai souvenir d'un concert démentiel à 3h du mat' au Summercase de Barcelone en 2007, le chanteur arrivant sur scène en vélo, gobant un taz devant le public et
démarrant son concert à 2000 à l'heure avant de vomir sur scène. Sous l'impulsion disco-funk du groupe, le public était devenu totalement hystérique. Grand moment !



Sur disque, la sauce prend aussi mais avec moins d'immédiateté. Même si on y gagne une meilleure cohérence dans la structure des morceaux, on y perd malheureusement cette énergie primaire
produite par le collectif. Strange Weather, Isn't It ? est le quatrième album des Californiens et les habitués ne seront pas dépaysés.



!!! a pour principe d'appliquer les codes de la musique de club dans ses morceaux. C'est relativement simple, on installe l'ambiance et quand vous êtes bien mûrs, on fait tout péter. Les montées
sont donc récurrentes avec ce côté extasié qui vous colle le sourire et les bras en l'air. Strange Weather, Isn't It ? joue sur sa basse funky et sa batterie épileptique (Paul Quattrone
remplaçant le défunt) pour vous maintenir sous pression. Ca groove sec dans votre caleçon et ça vous fait transpirer à grosses gouttes.



Le refrain facile suivi d'une longue montée, renvoyant la space-disco dans ses cordes, de The Most Certain Sure permet de retrouver immédiatement l'énergie du groupe. La voix de Nic Offer se met
en retrait pour mieux laisser les instruments prendre l'ascendant. Résultat : quand les cuivres se mêlent à la voix soul de Shannon Fuchess sur Wannagain Wannagain, ça groove comme jamais. Même
quand !!! expérimente avec le tribal Hollow, porté uniquement par la batterie, ça fonctionne à plein régime. Et en clôturant l'album par la gigantesque montée électro imparable de The Hammer, on
finit en nage. Alors même si le groupe reste bloqué sur ses acquis, on est conquis une fois de plus.



Strange Weather, Isn't It ? ne sera pas l'album de l'année mais on s'en fout du moment que le plaisir est là. Le but premier de !!! est de provoquer l'hystérie en live en vous faisant danser
jusqu'à épuisement. L'idée que la musique n'est parfois qu'un simple plaisir hédoniste se vérifie une fois de plus avec ce groupe hors-norme.



par B2B

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Tracklist :

1. AM/FM

2. The Most Certain Sure

3. Wannagain Wannagain

4. Jamie, My Intentions Are Bass

5. Steady As The Sidewalk Cracks

6. Hollow

7. Jump Back

8. Even Judas Gave Jesus A Kiss

9. The Hammer

10. Blue (Bonus Track)

 

!!! (Chk Chk Chk) - Strange Weather, Isn't It ?

Note :

http://www.chkchkchk.net

http://www.myspace.com/chkchkchk

Origine du Groupe : North America

Style : Electro Disco Punk Psychedelic

Sortie : 2010

 !!! (chk chk chk) est une exception sur l'échiquier warpien mais !!! est une exception tout court. Comment réussir à cataloguer un groupe dont la musique n'arrive jamais à se figer ? Si
Warp  a mis la main sur le groupe, ce n'était pas dans un délire d'ouverture au rock mais plutôt dans l'idée de démontrer que ce genre peut parfois exploser dans tous les sens.



!!! du disco-punk ? Trop réducteur. De l'électro-funk ? Trop synthétique. !!! n'est rien d'autre qu'une partouze musicale ayant pour unique but de vous faire bouger le cul comme Funkadelic en son
temps.



Depuis Myth Takes en 2007, le groupe a subit des contrecoups : mort de son batteur Jerry Fuchs, départ du bassiste Justin Van Der Volgen ainsi que du guitariste Tyler Pope. C'est désormais le
chanteur Nic Offer qui mène la troupe de déglingués. Car !!! prend toute sa mesure en live et devient alors, modestement, une des plus grosses machines à danser qui puisse exister. Le leader
donne de son corps comme personne. J'ai souvenir d'un concert démentiel à 3h du mat' au Summercase de Barcelone en 2007, le chanteur arrivant sur scène en vélo, gobant un taz devant le public et
démarrant son concert à 2000 à l'heure avant de vomir sur scène. Sous l'impulsion disco-funk du groupe, le public était devenu totalement hystérique. Grand moment !



Sur disque, la sauce prend aussi mais avec moins d'immédiateté. Même si on y gagne une meilleure cohérence dans la structure des morceaux, on y perd malheureusement cette énergie primaire
produite par le collectif. Strange Weather, Isn't It ? est le quatrième album des Californiens et les habitués ne seront pas dépaysés.



!!! a pour principe d'appliquer les codes de la musique de club dans ses morceaux. C'est relativement simple, on installe l'ambiance et quand vous êtes bien mûrs, on fait tout péter. Les montées
sont donc récurrentes avec ce côté extasié qui vous colle le sourire et les bras en l'air. Strange Weather, Isn't It ? joue sur sa basse funky et sa batterie épileptique (Paul Quattrone
remplaçant le défunt) pour vous maintenir sous pression. Ca groove sec dans votre caleçon et ça vous fait transpirer à grosses gouttes.



Le refrain facile suivi d'une longue montée, renvoyant la space-disco dans ses cordes, de The Most Certain Sure permet de retrouver immédiatement l'énergie du groupe. La voix de Nic Offer se met
en retrait pour mieux laisser les instruments prendre l'ascendant. Résultat : quand les cuivres se mêlent à la voix soul de Shannon Fuchess sur Wannagain Wannagain, ça groove comme jamais. Même
quand !!! expérimente avec le tribal Hollow, porté uniquement par la batterie, ça fonctionne à plein régime. Et en clôturant l'album par la gigantesque montée électro imparable de The Hammer, on
finit en nage. Alors même si le groupe reste bloqué sur ses acquis, on est conquis une fois de plus.



Strange Weather, Isn't It ? ne sera pas l'album de l'année mais on s'en fout du moment que le plaisir est là. Le but premier de !!! est de provoquer l'hystérie en live en vous faisant danser
jusqu'à épuisement. L'idée que la musique n'est parfois qu'un simple plaisir hédoniste se vérifie une fois de plus avec ce groupe hors-norme.



par B2B

permalink

Tracklist :

1. AM/FM

2. The Most Certain Sure

3. Wannagain Wannagain

4. Jamie, My Intentions Are Bass

5. Steady As The Sidewalk Cracks

6. Hollow

7. Jump Back

8. Even Judas Gave Jesus A Kiss

9. The Hammer

10. Blue (Bonus Track)

 

V.A - The dark side of disco vol. 2

Note :

Sortie : 2005
Style : Electro , Funk , Soul , Disco

Tracklist :
01 Talking Heads - Crosseyed And Painless (12" Long Version)
02 Eberhard Schoener - Why Don't You Answer (feat. Sting)
03 Sugar Daddy - Another One Bites The Dust (Remix Instrumental)
04 The Human League - Things That Dreams Are Made Of (Instrumental Version)
05 Q - The Voice Of Q
06 Skatt Bros - Walk The Night
07 Harlequin Fours - Set It Off (Walter Gibbons Mix)
08 Nancy Martin - Can't Believe
09 Visage - Fade To Grey (12" Extended Play)
10 Rinder & Lewis - Gluttony
 11 Men Without Hats - The Safety Dance (Extended Club Mix)

Latest update from the disco revival frontline – here a doublepack of boots revisits Talking heads for the second week running, Derrick Carter favourite Skatt Brothers walk the night, all in a bewildering mix from the questionable Men Without Hats, the timeless if poptastic Visage’s fade to grey, Harlequin 4’s brilliant mega mix friendly Set it off and ver Human League’s opus The things that dreams are made of in its instrumental guise. Curios include the voice of Q, spooky theremin disco, and Sugar Daddy’s leather thonged remix instro to Another One Bites The Dust. Party on!
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